A step-by-step guide to basic comping rhythms, voicings, and progressions ? as played by the masters ? that focuses on how to play (or ?comp?) behind a jazz soloist. Topics covered include: Basic rhythms and voicings for comping; 11 note-for-note transcriptions of Bud Powell, Horace Silver, Tadd Dameron, and Barry Harris comping behind the soloist; 3 modified transcriptions in the style of Red Gar…

Par GRIEG EDVARD. Arietta from Lyric Pieces Book 1 includes the printed score, a written masterclass from international concert pianist Daniel Grimwood, in which he considers how to approach this opening piece from Grieg’s famous Lyric Pieces, a biography of the composer and a short history of the music – all illustrated in full colour. more than the score… is a series of classic piano music, cov…

The Composer Portraits series offers unique and original monographs on individual composers. Text and music introductions written by experts are combined with carefully chosen selections of newly-engraved music to give a concise but informed overview of the life and work of each composer. The Composer Portraits series offers unique and original monographs on individual composers. This edition focu…

Par CHOPIN FREDERIC. Prélude No. 4 includes the printed score, a written masterclass from international concert pianist Daniel Grimwood, in which he considers how to approach this classic of Romantic piano music, a biography of the composer and a short history of the music – all illustrated in full colour. more than the score… is a series of classic piano music, covering much of the essential rep…

These two chamber music works are one of the main focuses in the oeuvre of Ulvi Cemal Erkin. Lively and spirited, they combine Western European tradition with rhythmic and melodic elements from Turkish folk music. Both are perfectly suitable for music lessons and concert recitals, adding a new interesting colour to the common chamber music repertoire.Erkin (1906-1972) is one of the most important …

An Orchestrator's Handbook. Par BRANT HENRY. Henry Brant's new guide to orchestration is, in fact, the result of his lifelong work as a conductor, composer, and teacher, its first page written in the 1940s, and its final page written in 2005. In observation of other orchestration texts throughout his life, Brant realized that many were incomplete, in that they gave instructions based on 'hoped-for…

Volume 3. Par THEVET. In three books, Lucien Thevet (1914-2007), a virtuoso Horn player of his day, provides detailed and progressive studies and exercises for the Horn. The third volume of Complete Method of Horn is essential to all Horn players seeking to improve their technique on the instrument. Thevet 's book focuses on elements including transposition, accidentals, adapting to a Horn with fo…

Par PANUFNIK ROXANNA. When the London International Festival of Early Music came to me with a commission to write a solo harpsichord piece for Jane Chapman, they asked me to relate the new piece to Byrd, as it’s the 400th anniversary of his death, this year. Jane introduced me to Byrd’s arrangement of Dowland’s wonderful Pavana Lachrymae (‘Pavan of tears’) – a piece of many layers but simple and e…

Par SCHUBERT FRANZ. Franz Schubert's 'Stabat Mater” D 175 is one of a number of church works that he wrote for his local congregation in Lichtental. This edition is based on the sole surviving source, the composer's autograph full score. Unlike its like-named companion piece D 383, Schubert uses the original Latin poem here. In his setting of April 1815 he focuses on the first two lines of the te…