Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera.” On the same scale as chamber music is to the symphony, it is rather the other way of talking onstage. The movable apparatus permits sophisticated voice-leading. A large ensemble demands simple conception to achieve the complexity it perhaps intends; this can be formulated more sharply and nuanced in a chamber ensemble…

Par FRANCO STEFANO. 5 pièces pour piano boogie woogie and Rock ' n ' roll le terme Honky Tonk est né à la Nouvelle Orléans, à l'époque de la prohibition-ce terme indiqué usines de gin abusif et, plus tard, les locaux où ils ont bu enfumés qui gin et dansé au son du piano. Recevoir une autre prolongation de sens, piano de honky tonk est devenu le nom d'un style et une sonorité piano caractérisée pa…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

The Doors are inextricably linked to '60s counterculture. Taking their name from Aldous Huxley's monograph The Doors of Perception, the group followed Jim Morrison's dark poetic vision to massive commercial success, making The Doors one of the best-selling bands of all time. This folio contains 20 of the band's most classic songs, fully transcribed for guitar in notation and TAB. Also included is …

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

The Doors are inextricably linked to '60s counterculture. Taking their name from Aldous Huxley's book The Doors of Perception, the group followed Jim Morrison's dark poetic vision to massive commercial success, making The Doors one of the best-selling bands of all time. This folio contains easy guitar arrangements of 16 of the band's most classic songs, in both notation and TAB. / Guitare

(for percussion ensemble). Composed by Jim Casella. For Percussion Ensemble (8 players). Percussion Ensembles. Medium-Easy. Folio and Parts on CD-ROM. 16 pages. Duration 4 minutes, 30 seconds. Published by Tapspace Publications

(for percussion octet). By David Reeves. Percussion Ensemble. For glockenspiel, chimes, xylophone, 2 vibraphones, 2 marimbas (low A), 4 timpani, 2 bongos, 2 congas, 4 log drums, 4 cowbells, 4 brake drums, temple blocks, 4 concert toms, 3 double-headed tom

(Marimba Feature). Composed by Jeffrey Nearpass. Percussion Ensemble. For Percussion Ensemble (Solo Marimba (4.3-octave) - As many playing the solo part as possible Bass Congas Bongos Timbales African Cowbell Amadinda Xylophone (2 players) - This instrument is tuned to a pentaton…

(Intermezzo, arranged for percussion ensemble). Composed by G. Gimenez y Bellido. Arranged by Bobby Lopez. For percussion ensemble (10 players: xylophone, bells, 2 vibraphones, 1 shared 5-octave marimba (low C), 1 4.6-octave marimba (low E), 5 timpani, concert snare drum, concert…

((For Percussion Ensemble)). Composed by Carol Bayer Sager and David Foster. Arranged by Kirk J. Gay. For Multi Percussion Ensemble. Percussion - Ensemble. Alfred's Pop Percussion Ensemble Series. Pop. 26 pages. Published by Alfred Music

(arranged for percussion ensemble). By Antonio Carlos Jobim/Vinicius de Moraes. Arranged by Ralph Hicks. For percussion ensemble (7 to 12 players: glockenspiel, vibraphone, xylophone, marimba [1 low-A instrument shared by 3 players], drumset [snare, hi ha

(For a Minimum of Five Steel Drums, Drumset, and Optional Bass Guitar). By Jason Mraz. Arranged by Jeff Moore. For Steel Drum Ensemble. Part(s); Percussion - Steel Drum Ensemble; Score. Alfred's Steel Drum Ensemble Series. 30 pages. Published by Alfred Music Publishing

(for percussion ensemble). By Jeffrey D. Grubbs. Arranged by Jeffrey D. Grubbs. 4. For Xylophone, chimes, snare drum, concert bass drum, four timpani (4 players). This edition: Percussion quartet. Concert Percussion Ensembles. Written for minimal instrumentation and maximum effec…

By Bela Fleck. Arranged by Olin Johannessen. Percussion Ensemble. For Marimba 1 (low F or low A), marimba 2 (low E) , 2 vibraphones, xylophone, glockenspiel, shaker, 3 different-sized triangles, small drumset (snare, kick, hihat, 2 or 3 cymbals), bass guitar, 5-octave marimba (op…