Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

For Pianoforte et Orchestra. Par BEETHOVEN LUDWIG VAN. With numerous corrections. Piano reduction with a separate solo Piano part. The autograph to Beethoven ’s Piano Concerto No. 4 is lost. For every new edition which has appeared during the course of time there have been only two authentic sources to draw upon; the copyist’s manuscript of the score with Beethoven ’s own corrections and the first…

Cette Little Black Book est une collection de poche de 72 chansons présentées dans un format songbook d'accord, disposés dans les mêmes touches que les enregistrements originaux et dont les symboles d'accords, les grilles d'accord de guitare et paroles complètes./ Recueil / Paroles et Accords

Par BARTOK BELA. The Romanian Folk Dances are probably Béla Bartók's most popular and most frequently played compositions. They have certainly inspired the largest number of arrangements, here for accordion by Teodoro Anzellotti. • Six brief movements, which present folk melodies with Bartók's own harmonizations in a wide variety of moods • Colorful pieces which broaden the repertoire for accordi…

These songs were written for the Old Vic production of Shakespeare's The Tempest in 1962. The original instrumentation was Piccolo, Flute, Clarinet, Horn, Timpani, Harp, Bells and Harpsichord. The instrumentation in this edition (Piccolo doubling Flute, Clarinet in B flat, Horn in F, optional percussion (small Bass Drum and Bells) and Harpsichord or Piano) is Tippett's revised version.When the acc…

Belgian born, Louis Julien Vannetelbosch (b. 1920) is an established composer, conductor and Trumpet player. His expertise combined have led him to publish 25 successful studies for Trumpet, the majority of which have been compiled in Twenty Melodic and Technical Studies. Vannetelbosch studied at the Leuven and Brussels Conservatoires where he won many prizes. His professional career gained him su…

(study score (Fruhfassung 1841)). By Robert Schumann. Edited by Jon Finson. Breitkopf Full Scores. Parts, Urtext. 192 pages

By Johann Sebastian Bach (1685-1750). Arranged by Brian Slawson. Mallet Sextet. For glockenspiel, xylophone, vibraphone, 2 small marimbas (4 octaves), 4.3 octave (low A) marimba. NOTE: Two marimba players can also share a 4.3 octave (low A) marimba if ins. score and parts on CD-R…

Percussion Ensemble (Score and Parts)

SKU: HL.141447

Score and Parts. Composed by Warren Benson. E.B. Marks. Contemporary. Softcover. 8 pages. Edward B. Marks Music #EBM141447. Published by Edward B. Marks Music (HL.141447).

ISBN 9781495009624. UPC: 888680044558.…

(A collection of 4 ensembles with 5 parts). Composed by Chris Brooks. For concert percussion ensemble (5-part percussion ensemble). Grade 1. Duration 5:50. Published by Row-Loff Publications

Composed by J.B. Smith. Percussion Ensemble. For Percussion Trio (three congas and a pedal bass drum, woodblock (or jam block) or cowbell per percussionist. 3 of the congas are shared between the players). Medium. Score and parts. Duration 4:45. Published by C. Alan Publications …

(For Percussion Octet (and optional wind ensemble)). By Jim Casella. For Glockenspiel, xylophone, chimes, 4 timpani, bongos, congas, rainstick, vibra slap, suspended cymbal, woodblock, finger cymbal, snare drum, brake drum, hihat, ocean drum, 4 concert toms, cowbell, shaker, spla…

By Sandy Feldstein and John O'Reilly. For Combined Percussion-S.D., B.D., Access., Keyboard Percussion. Band Method. Yamaha Band Method. Book. 64 pages. Published by Alfred Publishing.