Arrangeur: Jonathan Del Mar. Par BEETHOVEN LUDWIG VAN. Although Beethoven did not live to see the publication of his String Quartets op. 130 and op. 133, he oversaw the production process, making corrections and putting the works into their final form. The String Quartet op. 130 is the longest piece within Beethoven's extensive chamber music oeuvre. Originally, the Große Fuge was meant to be the f…

Par SCHLEE THOMAS DANIEL. A suite whose movements always deliver something other than what they seem to promise. But throughout, the two instruments and respectively their players act like two people in very specific situations: I.: The opening movement is reserved for the piano; the initially earnest, solitary cantilena intensifies creating expectation. Suddenly II.: the violin sounds. Its movin…

Par KEYSER PAUL DE. Violin Playtime Studies is a first anthology of established and newly-composed studies for the young Violinist. Taking as its starting point the one 0ctave scale of D major, and remaining in first position throughout, it may be used in conjunction with the violin Playtime series. This combination of short, purposeful studies enlivened by delightful illustrations will ensure tha…

Par AGAY DENES. by Dennis Agay A method and repertory for the beginner. Optional duet part for some pieces. All in large notes, very clear and easy to read. / Pédagogie / Recueil / Piano

26 Pieces For Viola Players With Piano Accompaniment. Par COLLEDGE HUGH / COLLEDGE KATHERINE. La collection Easy String Music de Boosey and Hawkes, dirigée et composée par Katherine et Hugh Colledge, compte quatre volumes d'un répertoire pour cordes destiné aux instrumentistes débutants et en cours d'apprentissage. Ces titres sont très appréciés des professeurs comme de leurs étudiants en raison d…

Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Colledge Katherine / Colledge Hugh et éditée par Boosey

A large selection of Piano literature, from the baroque to the modern, is presented in a variety of forms, colours, and expressions. Included are pieces affording the student a greater opportunity to attain technical and pianistic effectiveness. The titles follow an approximately chronological sequence from the baroque to our modern period. All selections are in their original form, neither arrang…