Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Of Noblest Cities is intended for a choir of between 12 and about 40 voices, although it may also be given by just six singers, one to a part (SSATBB). The piece can be performed unaccompanied, if no suitable organ is available, simply by leaving approximately two crotchet beats of silence between the end of the last note of one verse and the beginning of the next. Underlying the melody is a simpl…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based…

Par VAUGHAN WILLIAMS RALPH. Boldly reimagined and completed by Martin Yates, The Future, a substantial non finito draft of a major choral setting of words by Matthew Arnold, dates from 1908, immediately after Toward the Unknown Region, and in the crucial year of Vaughan Williams’s three-month tutelage with Ravel in Paris. Urgent ecological concerns – strikingly relevant today no less than in the V…

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revis…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Gateway to Mélodies françaises nous entraîne dans un jardin parfumé de la poésie et la musique qui est à la fois passionnée et raffinée. Chaque chanson apporte à la vie l'un des grands thèmes de l'art français l'amour, la nature, le but de la vie - à la beauté sensuelle, séduisante grâce, et souvent avec humour.Comprendre ce que vous chantez est le concept de base de la série de la passerelle. Cha…

Compositeur(S): Matthew Russell. Par TONTON DAVID. Auteur: DAVID RAY GRAMMONT DIT TONTON DAVID and MARION VANDEVILLE/ Feuillet / Chant et Piano

Hosted by Matt Smith. Instructional video: DVD for guitar. Learning blues guitar is easy with this 90-minute step-by-step DVD. Published by Alfred Publishing.

Composed by Jamey Aebersold. Jazz. Book and CD. 76 pages. Published by Jamey Aebersold Jazz (JA.V02G).

Instructional DVD for Guitar. By Fred Sokolow. Dvd. DVD (Digital Video Disk). Size 5.3x7.5 inches. Published by Hal Leonard Corporation.

By Giorgio Signorile. For Guitar. 24 pages. Published by Ut Orpheus

English Text. By Matteo Carcassi. Schott. Size 9x12 inches. 35 pages. Published by Schott.

By Matteo Carcassi. Arranged by V. Olcott-Bickford. For Guitar. Published by Carl Fischer.

By Harvey Vinson (Editor). For Guitar. Classical. Sheet Music. 96 pages. Published by Music Sales.

Composed by Matthew Dunne. Part. 24 pages. Published by Les Editions Doberman-Yppan (DY.DO-1090).

Composed by Matteo Carcassi (1792-1853). Edited by Lucio Matarazzo. Lucio Matarazzo Collection. Preface by Angelo Gilardino. 40 pages. Published by Ut Orpheus (UT.CH-166).

Arpegios for Lead Rock Guitar. Composed by Tim Quinn. Squareback saddle stitch. Mel Bay Guitar University. Book and online audio. Published by Mel Bay Publications, Inc (MB.20680M).

By Matteo Carcassi (1792-1853). Edited by Philppe Bertaud. For Classical Guitar. Published by Carl Fischer

Discovering Rock Guitar. (Rock and Pop Styles, Techniques, Sounds, Equipment). For Guitar. Guitar. Play Along. Book with CD. 160 pages. Schott Music #ED12946. Published by Schott Music

By Frederick Noad. For Guitar. Classical. Sheet Music and Audio CD. 144 pages. Published by Music Sales.

Music transcribed and adapted for modern guitar. By Frank Koonce. By Frank Koonce. For Guitar (Classical). Solos. Frank Koonce Series. Early Music/Renaissance. Level: Intermediate. Book. 188 pages. Published by Mel Bay Publications, Inc.

By David Hamburger And Matt Smith. For Guitar. Guitar Method or Supplement. Blues. CD. Published by Alfred Publishing.

Guitar Solo. By Matteo Carcassi. Arranged by Walter Gotze. Schott. 15 pages. Published by Schott.

By Matt Smith. For Guitar. Guitar Method or Supplement. Blues. CD. Published by Alfred Publishing.