Par SCHUMANN ROBERT. The Romances for female voices op. 69 and op. 91 are more filigreed, with highly poetic textural subtleties. These pieces may be sung either by soloists or by a choir; piano accompaniment may [to advantage] be omitted./ Répertoire / Choeur Mixte

Par WOLL ERNA. Langue: German,/ Répertoire / Choeur Mixte (SATB), Flûte Traversière (Flûte à Be

Music Of Chopin, Satie And Faure For Flûte And Piano. Par GALWAY JAMES. This collection of works for flute and piano is edited by one of the world's foremost authorities on the classical flute repertoire, Sir James Galway. The edition includes Galway's own performance notes and markings. Works included: Two Chopin Nocturnes and Prelude Op. 28 No. 15, Faure's Berceuse from Dolly, and Satie's Gymnop…

Sinfonia - Terzo Ballo - Sesto Ballo - Settimo Ballo - Ottavo Ballo. Par ALLEGRI LORENZO. / Répertoire / 6 Instruments à Cordes et Basse Continue (Vents Ad

Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violi…

12 Übungsstücke Ohne Zweiklänge. Par STAEPS HANS ULRICH. Glsp/ Répertoire / Vibraphone, Marimba, Xylophone et Carillon

Par CAMPION EDMUND J.. / Niveau : Difficile / contemporain / Répertoire / Flûte Traversière et Clarinette

A 27 ans, Bruno Mantovani est tout sauf un jeune compositeur. Sa capacité à saisir tout ce qui fait son temps est surprenante. Le jazz, en premier lieu, lui-même étant amateur et musicien de jazz, duquel il tire la notion d'improvisation, primordiale dans son oeuvre. Il se nourrit aussi des musiques actuelles, des techniques électroacoustiques bien sûr, mais aussi des musiques populaires fort dive…

Par CAMPO REGIS. / contemporain / Répertoire / 12 Voix, Choeur, Orgue et Ensemble

for 3 Violins, Strings and Basso Continuo. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik II If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment change…