Par CARTER SYDNEY. A popular favopurite hymn, Sydney Carter's Lord Of the Dance is a lively and rhythmic song for Unison voices and Organ or Piano accompaniment./ Feuillet / Voix à L'Unisson et Orgue ou Piano

Par HINDEMITH PAUL. The opera is set in a variety of locations between the years 1608 and 1630 and throws a spotlight on individual scenes, sometimes presented simultaneously, from the life of the astronomer Johannes Kepler (1571-1630); the opera takes its name from Kepler’s theoretical work ‘Harmonices mundi’. Hindemith utilises substantial historical studies as the basis for his sketches of indi…

An expressive piano accompaniment rises and falls with the well-known melody and lyric. Beautifully crafted for treble voices of any age with an optional C-Instrument adding the perfect finishing touch. / Choeur SSA

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melody, tonality and texture. His collection of Shakespeare Songs feature settings of verse from across the full range of the Bard's plays, and have proved to be great critical successes still widely perf…

Learn to play some of the most timeless and unforgettable melodies in the world, all presented here as easy and accessible Keyboard solos. With music as diverse as The Pink Panther , The Stripper and March Of The Mods , you'll find something here to thrill and delight absolutely anyone! Each melody features accompanying chord symbols, including diagrams to show exactly how to finger each chord. Yo…

fantasy for orchestra with voices. Par PINTSCHER MATTHIAS. / Répertoire / Orchestre et 4 Sopranos

for String Quartet Score and Parts. Par HARTKE STEPHEN. THE FIFTH BOOK of the title refers to what Stephen Hartke considers his fifth book of madrigals, only two of which books are actually for voices, with the others being for string instruments. Hartke writes madrigals for string instruments due to their inherent singing quality, but also due to the fluid structural character of the madrigal as …

Belgian composer Rudi Tas has created this haunting setting of the ancient Miserere text. The solo cello rises out of the vocal cluster and the music gradually becomes more intense as the voices plead for mercy. Finally, it ends as it began, with a haunting vocal cluster giving way to the solo cello on a high E. With cello. Duration: Approx. 8:10. Recorded by the Dale Warland Singers. Concert reco…

Voices (8), Bc/ Recueil / Choeur en 8 Parties (SATB-SATB) et Basse Continue

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…