B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Ch…

Par MOZART WOLFGANG AMADEUS. Tonalité : B-Dur - Horn, Paul (Arr. ) - KV 109 (74e) / Date parution : 1990-03-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

Tonalité : B-Dur - Hwv 306. Par HAENDEL GEORG FRIEDRICH. freie Orgelmusik - Langue : o Spr/ Répertoire / 2 Hautbois, 2 Violons, Alto, Violoncelle ou Contre

Like Dvorák's third and fourth quartets (in D major and E minor respectively), String Quartet #2 in B-flat major was probably composed between 1868 and 1870, when the young and still inexperienced composer was openly responding to stimuli from his musical surroundings and excitedly adopting new compositional techniques. All three quartets were long considered lost - it was even said that Dvorák de…

This is a new edition of Béla Bartók's popular Romanian Folk Dances in its original scoring for Solo Piano. With fascinating background notes and unique imagery, this publication is essential for pianists interested in the work of the Hungarian composer.When Bartók was just 23 years old, he visited the Transylvanian town of Gerlicepuszta. Overhearing a lullaby sung by a teenage servant girl named …

B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Ch…

Pour Quatour De Saxophones. Par EOTVOS PETER. I got the idea of writing this piece during a rehearsal with Klaus Michael Grüber I saw in Berlin. Three actors were rehearsing a scene of Kleist. At the end, Grüber said: ‘… now once again in a different way.’ The text was identical but the interpretation was completely different and had almost nothing in common with the previous version. My piece is …

Tonalité : B-Dur - Hwv 308 (Op. 7 #3). Par HAENDEL GEORG FRIEDRICH. freie Orgelmusik - Langue : o Spr/ Répertoire / 2 Hautbois, 2 Violons, Alto, Violoncelle ou Contre

Tuba et Piano. Par PLAYS JEAN-BERNARD / BOUCHERON B.-P.. / Niveau : Fin 2ème Cycle / Répertoire / Tuba et Piano