Par DONGOIS WILLIAM. Apprendre à improviser avec la musique de la Renaissance est une méthode destinée aux étudiants et aux professionnels pour travailler l’improvisation : • dans le contexte de son choix, • en intégrant le travail technique instrumental, • avec une série d’exercices progressifs crées par chacun, • grâce à des structures issues du répertoire Renaissance. Cet ouvrage est l’aboutiss…

Newly Revised!. Par GRUNOW RICHARD F. / MARTIN MICHAEL. The newly revised Jump Right In: The Instrumental Series for Strings incorporates hundreds of improvements designed to make the series practical, engaging, and, most of all, musical. Like its counterparts for winds and recorder, the string series includes high-quality CD recordings of folk songs and melodies and performances by some of the wo…

Par FISER LUBOS. Teaching beginners is a huge responsibility and a challenge, but also reaps enormous rewards, Today there are a host of colourful tutors to choose from, but none tells us how to teach beginners. It can be a hit and miss affair! Energising and inspirational, Teaching Beginners is a 'must have' handbook for all instrumental and singing teachers. Written by the UK's leading music edu…

Par HIGGINS ANDREW. Tracing the steps taken by the author on his musical journey, So You Want To Learn To Improvise' Offers teachers and students a step-by-step guide to acquiring the skills needed to improvise at the piano. The book is deliberately stylistically non-specific, working from the premise that once the basics are secured, choices about style can be personal issues. The content from S…

Madrigal est le titre donné à cette oeuvre en référence à cette forme d'expression de la Renaissance pour une pièce écrite a cappella et sans accompagnement instrumental.En effet, j'ai utilisé le piano non pas comme un accompagnateur au sens habituel mais comme un outil permettant l'écho, l'initiation des phrases ou encore leur confirmation. On pourra noter également certaines inflexions issues de…

Composed in 1809-10, Beethoven's Sonata op. 81a expresses his very personal feelings. He titled its three movements 'Das Lebewohl? (The Farewell), 'Die Abwesenheit? (The Absence) and 'Das Wiedersehn? (The Return) in reference to the hasty departure of his good friend and patron Archduke Rudolph of Austria who fled Vienna with the imperial family on 4 May 1809 to escape Napoleon's approaching troop…