Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Certains grands seventies hard rock frappe de Rob Halford et son New Wave of British Heavy Metal feuillets. Transcriptions exactes de quinze chansons en tablature guitare et notation standard, avec des paroles et des accords. / Guitare

Par GARCIA JOSE MAURICIO NUNES. Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present „Missa dos Defunktos“ was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows…

Par GARCIA JOSE MAURICIO NUNES. Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present „Missa dos Defunktos“ was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows…

Par GARCIA JOSE MAURICIO NUNES. Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present „Missa dos Defunktos“ was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows…

Comment jouer des accompagnements et des solos de guitare dans le style Heavy Metal ? Avec cet ouvrage bien sûr... D'un côté les rythmiques, avec toutes les caractéristiques propres au style : accompagnements en power chords, riffs avec bourdon, jeu à la double croche... et toutes les techniques s'y rapportant (palm mute, glissé, staccato...). De l'autre, les solos.?Construits sur les principales …

Par SERRAO PAOLO. Paolo Serrao (Filadelfia, Catanzaro province, 11 April 1830 - Naples, 17 March 1907) probably learned the first musical rudiments, especially the piano technique, from an uncle priest whose name he bore, showing a remarkable talent when, only eight years old, he performed one of Daniel Steibelt's Concerts for piano and orchestra during an evening given in honour of the tenor Bocc…

Mass in Time of War. Par HAYDN JOSEPH. The “Missa in Tempore Belli”, also known as the “Mass in Time of War”, composed in 1796, makes prominent use of timpani as well as a wind fanfare at the beginning of the “Dona nobis pacem” – both clear and unusual references to a warlike context. One year after the first documented performance which took place in the year of its composition as part of the Fi…

Musical Priest Sheeberg and Sheemore Planxty Irwin The Irish Washerwoman Wi' a Hundred Pipers Buachaill on Eirne Give Me Your Hand Sweeney's Polka (Kerry Polkas) Buttered Peas Mason's Apron The Fiddling Gun The Steamboat Soldier's Joy Devil's Dream The Song of the Lark The Little Fox / Flûte à bec / Dehaske

Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. Par VIVALDI ANTONIO. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This …