Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many…

Une édition critique nouvelle majeure d'important répertoire standard avec 61 chansons en 2 volumes. Toutes les chansons sont présentés uniquement dans la clé de l'originale, avec aucune transpositions. Tous les cycles de chansons et les groupements apparaissent dans un des deux volumes. Années en préparation, cette édition est basée sur les sources plus fiables disponibles dans le monde, avec la …

Par SCHUBERT FRANZ. The Shepherd On The Rock Op. post. 129 D 965 (Der Hirt auf dem Felsen Op. post. 129 D 965). High voice, Piano, Clarinet (in B-flat). Vocal score with separate Clarinet part. The New Schubert Edition is a scholarly-critical complete edition reflecting current knowledge of the sources and the latest research findings. It is thus indispensable for the study and authentic performan…

Par SCHUTZ HEINRICH. Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (cello or organ) My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi…

Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Mahler’s best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver’s model. It is therefore …

Marienantiphon. Par MOZART WOLFGANG AMADEUS. The new edition is based on the autograph which was presumed to have been missing since the second world war but which was rediscovered in 1964. It is the basis for the present new critical edition by Christine Martin. In contrast to previous sources, several matters concerning articulation have been corrected. / Hymnes et chorals / Répertoire / Solo S…

This valuable resource is a must for every choral director that prepares a chorus to sing Handel's Messiah! In three sections, Part I - Introduction to Preparing Messiah highlights Baroque performance practice and Ideals, Practical Considerations for Performing Messiah and other helpful information: Part II includes warm-ups for 20 choruses: Part III includes Appendices with a historical context o…

Par NATTIEZ / BOULEZ. La musicologie est entrée dans une période d'éclatement. Pour rendre compte des oeuvres et des styles, le chercheur doit-il mettre l'accent sur leurs structures ou sur les réseaux de significations de tous ordres qui s'y rattachent: historiques, culturelles, psychologiques, esthétiques, etc. ? Et pour chacun de ces angles d'attaque, quelle méthode d'analyse choisir et quel pa…

Cet ouvrage cherche à continuer un travail de mémoire et de constitution d'un patrimoine écrit de la musique improvisée. Il s'attache aussi à lancer des passerelles entre les genres, offrant à deux univers assez étanches (la musique classique écrite et la musique jazz improvisée) un même support de travail.- Aux musiciens de jazz, ces transcriptions permettront de pénétrer dans l'univers d'un des …

Par BRUCH MAX. Aside from his popular Violin Concerto no. 1, “ Kol Nidrei ” numbers among Max Bruch ’s most famous compositions. The melancholy “Adagio after Hebrew melodies” was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch, by his own admission. The tenor Cello sound is the ideal medium for …