Par TAVERNIER JEAN-CLAUDE. No. 1 (for 2 timpani and drum kit); No. 2 (for xylophone and vibraphone) / Classique / Feuillet / 2 Percussions

/ Brass Quartet, 2 Trompettes Et 2 Trombones

Par RUHM GERHARD. Full Score of Gerhard Rühm's work for 6-8 Tenors, 4-6 Violas, 2 Pianos, Vibraphone, Glockenspiel and Timpani. Full Score of Gerhard Rühm's work for 6-8 Tenors, 4-6 Violas, 2 Pianos, Vibraphone, Glockenspiel and Timpani./ Répertoire / 6 à 8 Ténors, 4 à 6 Altos, 2 Pianos, Vibraphone, C

Par AHO KALEVI. Kalevi Aho's Double concerto for two bassoons and orchestra (2016) was premiered in Warsaw, Poland with Bram van Sambeek and Leszek Wachnik as soloists. This product is the solo part (one copy, includes both solo bassoon parts). The study score is available for sale (ISMN 9790550116641). Performance material is available for hire from the publisher. Duration: 29'. Instrumenta…

Par STRAVINSKY IGOR. Détails de la formation instrumentale: Picc. - 2 Fl - 2 Hautbois - Cor Anglais - 2 Clar in A - 2 Bassoons - 4 Horns in F - 4 Trumpets in C - 3 Trombones - Tuba - Timpani - Double Basses - Durée: 20' - Format: New Edition portrait/ Répertoire / Ensemble à vent et Piano

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

By Jan Hanus. For symphony orchestra (3,3,2,2 - 4,3,3,0 - timpani, percussions, piano, strings). Orchestral music. Czech title: IV. symfonie pro velky orchestr op. 49. Classical. Study score. Publication language: Czech/Russian/German/English

By Mack Wilberg (1955-). For SATB choir and piano 4-hands/full orchestra (piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoon, 4 horn, 3 trumpet, 3 trombone, tuba, timpani, 5 percussion (glockenspiel, finger cymbals, chimes, suspended cymbal, tambourine, Snare Drum), harp, organ, …

By Amy Marcy Beach. Edited by Amy Marcy Cheney Beach. For Orchestra (2 1, 2 1, 2, 2 - 4, 2, 3, 1, timpani, percussion, strings). (Orchestra). Masters Study Scores. Romantic/Post-Romantic. Study Score. Composed 1896. 224 pages. Duration 40 minutes. Published by Serenissima.

By Douglas E. Wagner. For full orchestra (conductors score). Concert, Christmas. Handbell sheet. Published by Lorenz Publishing Company. (30/2208L)
Level: Level 3.

By Mykola Leontovich. Arranged by Larry Clark. Text: Peter J. Wilhousky. Concert Band. For Flute, Oboe, Flute II, Clarinet I, Clarinet II, Bass Clarinet, Bassoon, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor, Treble Clef Baritone, Euphon…

March. By Theodore Mesang. Arranged by Sean O'Loughlin. Concert Band. For Flute, Oboe, Clarinet I, Clarinet II, Bass Clarinet, Bassoon, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor, Baritone (Bass Clef), Tuba, Mallet Percussion, Timpani,…

By Carolyn Hamlin. For full orchestra. Eastertide. Sacred Anthem. Published by Monarch Music. (30/1722M)

A Ballet - for Chorus, Solo Bass, and Piano (or Orchestra) - Score. By William Grant Still. Orchestra. For Flute I, Flute II, Piccolo I, Piccolo II, Oboe I, Oboe II, English Horn, Clarinet (in Eb), Clarinet I, Clarinet II, Bass Clarinet, Bassoon I, Bassoon II, Horn I, Horn II, Ho…

By Lloyd Larson; Joseph M Martin. For full orchestra. Christmas, Advent, Epiphany. Cantata. Published by Exaltation Publications.

(To Act I of La Traviata) Composed by Giuseppe Verdi (1813-1901), arranged by Jack Bullock. Conductor's score and set of performance parts for orchestra (2 - flute, 2 - oboe, 1 - 1st clarinet, 1 - 2nd clarinet, 2 - bassoon, 4 - horn in F, 1 - 1st trumpet, 1 - 2nd trumpet, 3 - tro…