Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Herttrich Ernst (Editor) - Schilde Klaus (Editor). Par MENDELSSOHN-BARTHOLDY FELIX. After an early work and a discontinued attempt in 1831/32 Mendelssohn made his breakthrough in this important chamber music genre in the summer of 1839 with the Piano Trio in d minor op. 49, which was to be followed six years later by the Trio in c minor op. 66. On publication of the first trio, Schumann took the o…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Par MENDELSSOHN-BARTHOLDY FELIX. The Overture to Ruy Blas, Felix Mendelssohn Bartholdy’s last overture, was not composed as an autonomously conceived score, but as the opening piece of a stage work. Nevertheless, its immediate success at the Leipzig first performance in 1839, as well as the fact that no further contributions to Victor Hugo’s drama followed from Mendelssohn’s pen soon made it well …

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn’s St. Paul with just seven instead of the usual 18 wind instruments? Thanks to this arrangement for chamber orchestra, a performance with smaller forces is now possible, and presents an attractive alternative for performing Mendelssohn’s first oratorio – not only in times of Corona. For it is often considerations of space, a limited budget, or the size …

Par MENDELSSOHN-BARTHOLDY FELIX. Felix Mendelssohn’s oratorio Elijah caused a sensation at its world première performance, sung in English, in Birmingham UK in August 1846. The huge forces marshalled for the occasion delighted the audience, who demanded no fewer than eight encores and loudly acclaimed the composer despite an injunction to observe the solemnity of the occasion by refraining from ap…

in Two Volumes. Par MENDELSSOHN-BARTHOLDY FELIX. The second volume of the outstanding Breitkopf and Hartel edition of Mendelssohn's complete works for solo piano. The second volume of the outstanding Breitkopf and Hartel edition of Mendelssohn's complete works for solo piano./ Répertoire / Piano

By Rebecca Groom te Velde and David Blackwell. For organ. Collection. Published by Oxford University Press

For Organ (Organ). Music Sales America. Romantic. 108 pages. Music Sales #NOV010215. Published by Music Sales

Composed by Charles E. Callahan Jr. (1951-). Minimal Pedal, Bestseller, Preludes, Hymn Intros/Reharmonizations. Reformation, Lent, Easter, Christmas, Ash Wednesday. Published by MorningStar Music Publishers

Composed by Richard Elliott. Sacred. Lorenz Publishing Company #70/1874L. Published by Lorenz Publishing Company

By Gordon A Young. Organ. Level: 3-staff. Sacred Organ. Published by Sacred Music Press.

By Fanny Mendelssohn Hensel. Edited by Elke Mascha Blankenburg. For organ. First Publication. Level: intermediate. Full score. Composed 1829. Duration 5'. Published by Furore-Verlag (German import).

By Various. For organ. Wedding, sacred. Published by Concordia Publishing House.
Level: Moderately Easy.

Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Christian Martin Schmidt. This edition: urtext. Edition Breitkopf. Romantic. Opus 37. 36 pages. Published by Breitkopf and Haertel (BR.EB-8745).

Composed by Felix Mendelssohn, Gustav Holst, G. F. Handel, J. S. Bach, Johannes Brahms, Richard Wagner, Edward Elgar, Benedetto Marcello, Jeremiah Clarke, Michael Burkhardt, Leon Boellmann, Jean-Joseph Mouret. Arranged by Michael Burkhardt. Non Hymn-Based, Classical Tra…

By Jason Payne. For organ: 3-staff. Published by Lorenz Publishing Company

With Comments in English. By Felix Mendelssohn. Edited by H. Meister. This edition: HN237. Organ. Henle Music Folios. Pages: V and 94. Urtext edition-paper bound. 96 pages. Published by G. Henle.

Composed by Felix Mendelssohn Bartholdy (1809-1847), edited by Christoph Albrecht. For organ. Urtext. Format: organ solo book. With organ notation and introductory text. Romantic period. 121 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

By Gerhard Krapf. Organ. Level: 3-staff. Sacred Organ. Published by Sacred Music Press.

Composed by Felix Mendelssohn, J. S. Bach, Johann Christoph Bach, Samuel Scheidt, Johann Pachelbel, Johann Ludwig , Dietrich Buxtehude, Michael Burkhardt, Johann Neinrich Buttstedt, Johann Eramus Kindermann, Matthias Weckmann. Arranged by Michael Burkhardt. Non Hymn-Based, Classi…

Composed by J. William Greene. For organ solo. 40 pages. Published by Augsburg Fortress

(For Organ, Keyboard and Voice). Edited by Rollin Smith. For Organ. Organ - Method or Collection. Dover Edition. Wedding. Book. Published by Dover Publications

Composed by Felix Mendelssohn Bartholdy (1809-1847), edited by Christoph Albrecht. Op. 65. For organ. Urtext. Format: organ solo book. With organ notation. Romantic period. 86 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

Organ. Arranged by Bish Diane. Gentry Publications. Size 9.3x12 inches. Published by Gentry Publications.

By Callahan. For organ. Wedding, sacred. Level: Moderately Easy. Published by Concordia Publishing House.