C Major. Par BEETHOVEN LUDWIG VAN. In Beethoven’s Triple Concerto, a piano trio provides the soloists – a first in the history of music. Beethoven’s treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra, but varies his treatment of the solo parts, allowing each instrument to play alone with the orchestra (particularly the cello), using two…

Piano Reduction. Par BEETHOVEN LUDWIG VAN. En Triple Concerto de Beethoven, un trio pour piano fournit les solistes - une première dans l'histoire de la musique. Le traitement de Beethoven, le trio est un pionnier: il n'applique pas un paramètre trio de piano classique à la différence de l'orchestre, mais il varie son traitement des parties solistes, permettant à chaque instrument de jouer seul av…

Conducteur Avec Couverture Rigide. Par TELEMANN GEORG PHILIPP. The volume presents, as a first edition, Telemann's surviving compositions for a number of public occasions in Altona. It contains two festive compositions written for the inauguration of the Akademische Gymnasium in 1744, one piece composed for the centennial of the Absolute and Hereditary Monarchy Act in Denmark (1760), one Latin ode…

Par LISZT FRANZ. Cette nouvelle édition vérifie et corrige le texte musical à l'aide d'une large base de sources, incluant également la version de 1837 (Grandes Etudes). S'y ajoutent des variantes jusqu'ici négligées et doigtés originaux de Liszt. En outre, est publiée pour la première fois, à côté de la version alternative de l'Etude XI de 1876 (Harmonies du soir), l'édition critique de deux Gran…

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instrume…

Trois grands cycles de suites de Johann Sebastian Bach comptent parmi les pièces maîtresses de la littérature de clavier: les Partitas ainsi que les Suites anglaises et françaises. Sur l'échelle de popularité, les Suites françaises l'emportent de très loin sur les autres - et il en était déjà ainsi du temps de leur création. Le revers de la médaille pour l'éditeur Urtext: un nombre presque incalcu…

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…

Fauré quatre 'Valses-Caprices' (1882/83-1894) démontrent diverses formes de son traitement de la valse en combinaison avec la forme libre de la fantaisie.Le compositeur a puisé son inspiration pour ses 'Valses-Caprices' en premier lieu à partir des oeuvres telles que Liszt 'Valse-Impromptu' et sa 'Valse à capriccio' et le célèbre 'Valse-Caprice' par Anton Rubinstein.Ces groupes importants d'oeuvre…

Composed by Charles Marie Widor (1844-1937). Edited by John R. Near. This edition: critical edition. Score. Published by A-R Editions (A2.N020).

By Johann Sebastian Bach (1685-1750). For Organ. Orgelwerke, Band 1-11. Urtext Edition (paperbound)

(Italy 1600-1635). Edited by James Dalton. For Organ. Book; Masterworks; Organ - Method or Collection. Faber Edition: Early Organ Series. Masterwork. Published by Faber Music

Composed by Charles Marie Widor (1844-1937). Edited by John R. Near. This edition: critical edition. Score. Published by A-R Editions (A2.N019).

Composed by Charles Marie Widor (1844-1937). Edited by John R. Near. This edition: critical edition. Score. Published by A-R Editions (A2.N012).

Composed by Louis Vierne (1870-1937). Edited by Helga Schauerte-Maubouet. This edition: urtext edition. Paperback. Louis Vierne. Complete Organ Works 10 | BARENREITER URTEXT. Performance score, anthology. Published by Baerenreiter Verlag (BA.BA9238).

(Dritter Teil der Clavier-Ubung). Composed by Johann Sebastian Bach (1685-1750). Edited by Manfred Tessmer / Christoph Wolff. For organ solo. This edition: urtext edition. Paperback. Johann Sebastian Bach. Orgelwerke 4. Level 4. Performance score(s), anthology. Published by Baere…

Composed by Gerard Bunk. Edited by Jan Boecker; Wolfgang Stockmeier. For organ, (violin). This edition: Urtext edition. Paperback. Gerard Bunk. Samtliche Orgelwerke 3. Performance score, Part(s), Anthology. 110/2 pages. Published by Baerenreiter Verlag

Keyboard and Organ Works from Copied Sources Partitas and Partita Movements, Part 1a. By Froberger, Johann Jacob. Edited by Rampe, Siegbert. For Piano/ Organ. Johann Jacob Froberger: Neue Ausgabe samtlicher Werke III.1. Urtext Edition (paperbound). Published by Baerenreiter-Ausga…

Pieces de Fantaisie en quatre suites, Livre III (1927) op. 54. By Louis Vierne. Edited by Helga Schauerte-Maubouet. For Organ. This edition: Urtext Edition. Samtliche Orgelwerke, Band VII.3. Score. 76 pages. Published by Baerenreiter Verlag (German import).

By Girolamo Frescobaldi (1583-1643). Edited by Christopher Stembridge / Kenneth Gilbert. For organ/keyboard. Paperback. Score. Text: German, English. Published by Baerenreiter Verlag

(Recercari, et Canzoni franzese (Rom, Zannetti, 1615, 21618)). By Girolamo Frescobaldi (1583-1643). Edited by Christopher Stembridge; Kenneth Gilbert. For Organ/Piano/Harpsichord. Orgel- und Clavierwerke, Band I.1 (Neuausgabe). Playing Score; Urtext Edition (paperbound). Publishe…

Keyboard and Organ Works from Copied Sources Partitas and Partita Movements, Part 2. By Froberger, Johann Jacob. Edited by Rampe, Siegbert. For Organ, Piano, Harpsichord. Johann Jacob Froberger: Neue Ausgabe samtlicher Werke,Bd.4.1. Playing Score; Urtext Edition (paperbound). Pub…

Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6). Composed by Johann Sebastian Bach (1685-1750). Edited by Dietrich Kilian / Peter Wollny. This edition: urtext edition. Paperback. Johann Sebastian Bach. Organ Works…

Composed by Charles Marie Widor (1844-1937). Edited by John R. Near. This edition: critical edition. Score. Published by A-R Editions (A2.N014).

Organ Chorales from Miscellaneous Sources. By Johann Sebastian Bach. Edited by Reinmar Emans. For Organ. This edition: Urtext of the New Bach Edition. Mit separater Tromba-Stimme zu 'Wachet auf, ruft uns die Stimme'. Score; Single Part. 177 pages. Published by Baerenreiter Verlag…

For organ. Edition Peters Repertoire Library. Collection. Published by Edition Peters

Samtliche Orgel-und Clavierwerke, IV.2: Lied- und Tanzvariationen. By Jan Pieterszoon Sweelinck. Edited by Siegbert Rampe. For organ/harpsichord/piano. Urtext Edition (paperbound). Published by Baerenreiter Verlag (German import).

Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. Arranged by Ulrich Leisinger. Baroque. Full score. With Standard notation. 112 pages. Wiener Urtext/Vienna Urtext #UT50147. Published by Wiener Urtext/Vienna Urtext