Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Le top 35 des hymnes les plus demandés tous magnifiquement arrangées pour piano, voix et guitare. Comprend Reste avec moi, Etiez-vous là et Amazing Grace. / Piano/Vocal/Guitare (PVG) / Partition

1. Choir, 2. Choir, Organ. Par BACH JOHANN SEBASTIAN. Version of 1736 (final version) Bach ’s St. Matthew Passion passed through several stages in its progress towards its final form, stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas’s Church, Leipzig, in a version of which the copy made by Bach ’s son-in-…

Cantata for the Sundays after Trinity. Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Cantatas For The Sundays After Trinity - Medium Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their…

By Paul Manz. For organ. Organ Music. Level: Medium-Easy/Medium-Difficult. Published by MorningStar Music Publishers.

37 original pieces on hymns for World Communion, Reformation/The Church, Harvest, All Saints, All Souls, Remembrance, Christ the King, and Thanksgiving. Edited by Rebecca Groom te Velde; David Blackwell. Oxford Hymn Settings for Organists. 37 original pieces on hymns for W…

(27 original pieces on hymns for Pentecost and Trinity). Edited by David Blackwell; Rebecca Groom te Velde. For organ. Oxford Hymn Settings for Organists. 72 pages. Published by Oxford University Press

Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding and Sacred. Print Music Collection (Book). 407 pages. Published by Hope Publishing Company.
Level: (Moderate).

By James Southbridge. Organ. Level: 2-staff. Sacred organ. Published by Lorenz Publishing Company.

By James Southbridge. Organ. Level: 2-staff. Sacred organ. Published by Lorenz Publishing Company.

Edited by Wayne Leupold. For Organ. Organ - Method or Collection. Sacred. Level: Intermediate. Book. 100 pages. Published by Alfred Publishing.

Edited by Gregory P. Cohn. For organ solo. Format: piano solo songbook. With standard notation, tonal dynamic registrations and lyrics. Sacred. 64 pages. 9x12 inches. Published by G. Schirmer, Inc.

By Charles Callahan. For organ. Organ Music. Level: Easy/Medium. Published by MorningStar Music Publishers.

By Wilbur Held. For organ. Organ Music. Lent, Easter. Level: Medium-Easy/Medium. Published by MorningStar Music Publishers.

Composed by Alan Smith. Sacred. Published by Sacred Music Press (LO.70-2077S).

By Jan Linker. (Organ Collection). Sacred. Published by Beckenhorst Press.

Composed by Lyndell Leatherman. Sacred. Published by Lorenz Publishing Company (LO.70-2054L).

Composed by Jason D. Payne. For organ: 3-staff. Sacred. Moderately advanced. Lorenz Publishing Company #70/1970L. Published by Lorenz Publishing Company

(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electronic Keyboard. E-Z Play Today. Softcover. 528 pages. Published by Hal Leonard

Composed by Jason D. Payne. Sacred. Lorenz Publishing Company #70/2111L. Published by Lorenz Publishing Company

Arranged by Various. For organ. Christmas, Easter, Lent, Devotion, Classics, Hymntune, Patriotic, Wedding, Sacred. Organ Collection. 187 pages

Edited by Jane Holstein. For organ. Book. Published by Hope Publishing Company