Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Here's a new series useful to fill plenty of solo and ensemble needs. Whether it's a soloist using a book (accompanied by piano or the fully-orchestrated accompaniment track) or two, three, four players, or a full orchestra, Sounds of Celebration is a uniquely flexible new idea for church instrumentalists! Each book includes a solo line and an ensemble line. Mix and match lines with different inst…

Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Full Score) This publication offers a source-critical edition of Mozart’s fragmentary “Requiem” as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a s…

Par SZATHMARY ZSIGMOND. The powerful intensity of colour and expressiveness of the mosaic images in the apse and altar area of the late antique church of San Vitale (from the 6th century) in Ravenna made a lasting impression on Zsigmond Szathmáry. The fascination of how imposing images emerge from tiny, luminous mosaic cubes and vividly tell the biblical stories inspired the composer to write his …

Since the last movement of this piece, which is perhaps the most beautiful of Hindemith's pieces, is a chorale, a version for string instrument plus organ is the obvious work to publish. Thus, 'Trauermusik' can now be performed in churches as well.Versions of 'Trauermusik' for viola or violin or violoncello with piano have been available for quite some time. Now, organists too can include this fam…

Since the last movement of this piece, which is perhaps the most beautiful of Hindemith's pieces, is a chorale, a version for string instrument plus organ is the obvious work to publish. Thus, 'Trauermusik' can now be performed in churches as well.Versions of 'Trauermusik' for viola or violin or violoncello with piano have been available for quite some time. Now, organists too can include this fam…

By Paul Manz. For organ. Organ Music. Level: Medium-Easy/Medium-Difficult. Published by MorningStar Music Publishers.

37 original pieces on hymns for World Communion, Reformation/The Church, Harvest, All Saints, All Souls, Remembrance, Christ the King, and Thanksgiving. Edited by Rebecca Groom te Velde; David Blackwell. Oxford Hymn Settings for Organists. 37 original pieces on hymns for W…

(27 original pieces on hymns for Pentecost and Trinity). Edited by David Blackwell; Rebecca Groom te Velde. For organ. Oxford Hymn Settings for Organists. 72 pages. Published by Oxford University Press

Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding and Sacred. Print Music Collection (Book). 407 pages. Published by Hope Publishing Company.
Level: (Moderate).

By James Southbridge. Organ. Level: 2-staff. Sacred organ. Published by Lorenz Publishing Company.

By James Southbridge. Organ. Level: 2-staff. Sacred organ. Published by Lorenz Publishing Company.

Edited by Wayne Leupold. For Organ. Organ - Method or Collection. Sacred. Level: Intermediate. Book. 100 pages. Published by Alfred Publishing.

Edited by Gregory P. Cohn. For organ solo. Format: piano solo songbook. With standard notation, tonal dynamic registrations and lyrics. Sacred. 64 pages. 9x12 inches. Published by G. Schirmer, Inc.

By Charles Callahan. For organ. Organ Music. Level: Easy/Medium. Published by MorningStar Music Publishers.

By Wilbur Held. For organ. Organ Music. Lent, Easter. Level: Medium-Easy/Medium. Published by MorningStar Music Publishers.

Composed by Alan Smith. Sacred. Published by Sacred Music Press (LO.70-2077S).

By Jan Linker. (Organ Collection). Sacred. Published by Beckenhorst Press.

Composed by Lyndell Leatherman. Sacred. Published by Lorenz Publishing Company (LO.70-2054L).

Composed by Jason D. Payne. For organ: 3-staff. Sacred. Moderately advanced. Lorenz Publishing Company #70/1970L. Published by Lorenz Publishing Company

(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electronic Keyboard. E-Z Play Today. Softcover. 528 pages. Published by Hal Leonard

Composed by Jason D. Payne. Sacred. Lorenz Publishing Company #70/2111L. Published by Lorenz Publishing Company

Arranged by Various. For organ. Christmas, Easter, Lent, Devotion, Classics, Hymntune, Patriotic, Wedding, Sacred. Organ Collection. 187 pages

Edited by Jane Holstein. For organ. Book. Published by Hope Publishing Company