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| Piano Trios (MENDELSSOHN-BARTHOLDY FELIX) Piano Trio: piano, violon, violoncelle [Partition] G. Henle
Herttrich Ernst (Editor) - Schilde Klaus (Editor). Par MENDELSSOHN-BARTHOLDY FELIX. After an early work and a discontinued attempt in 1831/32 Mendelssohn made his breakthrough in this important chamber music genre in the summer of 1839 with the Piano Trio in d minor op. 49, which was to be followed six years later by the Trio in c minor op. 66. On publication of the first trio, Schumann took the o…
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| Paulus (MENDELSSOHN-BARTHOLDY FELIX) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…
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| St. Paul. Oratorio (MENDELSSOHN-BARTHOLDY FELIX) Soli SATB, Chœur SATB et Orchestre [Conducteur] Carus Verlag
Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn’s St. Paul with just seven instead of the usual 18 wind instruments? Thanks to this arrangement for chamber orchestra, a performance with smaller forces is now possible, and presents an attractive alternative for performing Mendelssohn’s first oratorio – not only in times of Corona. For it is often considerations of space, a limited budget, or the size …
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| Paulus (MENDELSSOHN-BARTHOLDY FELIX) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…
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| Elijah (Elias) Opus 70 (MENDELSSOHN-BARTHOLDY FELIX) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Peters
Par MENDELSSOHN-BARTHOLDY FELIX. Felix Mendelssohn’s oratorio Elijah caused a sensation at its world première performance, sung in English, in Birmingham UK in August 1846. The huge forces marshalled for the occasion delighted the audience, who demanded no fewer than eight encores and loudly acclaimed the composer despite an injunction to observe the solemnity of the occasion by refraining from ap…
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| Paulus (MENDELSSOHN-BARTHOLDY FELIX) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…
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| Complete Works Vol.2 (MENDELSSOHN-BARTHOLDY FELIX) Piano seul [Partition] Dover Publications
in Two Volumes. Par MENDELSSOHN-BARTHOLDY FELIX. The second volume of the outstanding Breitkopf and Hartel edition of Mendelssohn's complete works for solo piano. The second volume of the outstanding Breitkopf and Hartel edition of Mendelssohn's complete works for solo piano./ Répertoire / Piano
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| Paulus (MENDELSSOHN-BARTHOLDY FELIX) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…
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| Easy String Quartets Book One (Parts Only) Quatuor à cordes: 2 violons, alto, violoncelle [Sheet music] Chester Music
This collection of Easy String Quartets includes 5 pieces suitable for players Grade 1-3. The pieces cover a wide range of musical periods and European styles, from Baroque to Romantic, from Italy to Austria and England, to give young players a broad spectrum while acquainting them with the basics of playing chamber music. The compositions included are: Allegretto Op. 72 #3 (Mendelssohn), Allegro …
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| America's All-Time Favorite Piano Pieces Amy Appleby Piano seul [Partition] Amsco Wise Publications
Over 160 of the best-loved piano pieces together in one comprehensive volume! This is a celebration of easy and rewarding solos for the American pianist. Nowhere else will you find gathered together in one piano treasury so many of America's favorite folk songs, patriotic solos, ragtime gems, blues instrumentals, and jazz standards - along with the beloved classical masterpieces of Bach, Beethoven…
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| Mendelssohn: Hymne - Drei Geistliche Lieder Und Fuge (MENDELSSOHN-BARTHOLDY FELIX) Choeur Mixte et Orchestre [Partition] Carus Verlag
Par MENDELSSOHN-BARTHOLDY FELIX. Op. 96 exists in two authentic versions: a version with orchestral accompaniment and a version for organ. Mendelssohn published the version for organ as “Drei geistliche Lieder” [CV 40. 166/03]. The version with orchestra appeared under the title “Hymne für Altsolo, Chor und Orchester” [CV 40. 166] and it contained, in addition to the three sacred songs, a concludi…
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| Christus (MENDELSSOHN-BARTHOLDY FELIX) Solistes STBB, Choeur SATTBB, 2 Flûtes Traversière Soli, chœur mixte et piano [Partition] Carus Verlag
Oratorienfragment. Teil I: Die Geburt Christi - Teil Ii: Das Leiden Christi. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohns unfinished 3rd oratorio in its first critical edition. The parts 'Die Geburt Christi' and 'Das Leiden Christi' are presented with full orchestration. In 1852, five years after Mendelsohn’s death, two independently-performable fragments of an unfinished oratorio were published …
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| Herr Gott, Dich Loben Wir (MENDELSSOHN-BARTHOLDY FELIX) Solistes SATB, Choeur SATB/SATB, 4 Trombones, 2 Vi [Partition] Carus Verlag
Choral. Par MENDELSSOHN-BARTHOLDY FELIX. The German setting of the Te Deum was comissioned for the celebration of the 1000th aniversary of the German Reich in the Berlin cathedral. In the entirely homorhythmic choral arrangement, Mendelssohn seeks variety of sound through colorful harmonies and contrast between the different groups [choir, organ, brass and strings]. / Date parution : 1997-06-01/ R…
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| Romances Sans Paroles Op. 67 No. 4 (MENDELSSOHN-BARTHOLDY FELIX) Violon 1 (6 parts) Violon 2 (6 parts) Alto (4 part [Conducteur et Parties séparées] FLEX Editions
Arrgt: Eric Vireton. Par MENDELSSOHN-BARTHOLDY FELIX. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) - Niveau de Difficulté : 6/6 - Avancé - Durée : 1 mn 50 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Felix MENDELSSOHN - Arrangeur…
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| Lobgesang (MENDELSSOHN-BARTHOLDY FELIX) Solistes SST, Choeur SSAATB, 2 Flûtes Traversières [Partition] Carus Verlag
Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…
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| Romances Sans Paroles Op. 30 No. 2 (MENDELSSOHN-BARTHOLDY FELIX) 2 Trompettes Sib 1 Cor en Fa 1 Trombone 1 Tuba en [Conducteur et Parties séparées] FLEX Editions
Arrgt: Eric Vireton. Par MENDELSSOHN-BARTHOLDY FELIX. Formation : Musique de Chambre, Quintette - Instrumentation : 2 Trompettes Sib 1 Cor en Fa 1 Trombone 1 Tuba en Ut - Niveau de Difficulté : 4/6 - Intermédiaire/Avancé - Durée : 2 mn 10 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Felix MENDELSSOHN - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Classi…
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