Kantate Zum 2. Osterfesttag. Par BACH JOHANN SEBASTIAN. The composition of this parody was begun in 1718 and completed with the final version in 1731. The original work [the basis of the parody] was 'Der Himmel lacht auf Anhalts Ruhm und Glück', which was a cantata for the birthday of Count Leopold von Anhalt-Köthen [1718, BWV 66a], with a text by Christian Friedrich Hunold, alias Menantes./ Réper…

Kantate Zum 2. Osterfesttag. Par BACH JOHANN SEBASTIAN. The composition of this parody was begun in 1718 and completed with the final version in 1731. The original work (the basis of the parody) was 'Der Himmel lacht auf Anhalts Ruhm und Glück', which was a cantata for the birthday of Count Leopold von Anhalt-Köthen (1718, BWV 66a), with a text by Christian Friedrich Hunold, alias Menantes./ Réper…

Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppè succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto u…

Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppè succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto u…

Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppè succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto u…

Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppè succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto u…

(Big Note Piano). By John Williams, Patrick Doyle, Nicholas Hooper, and Alexandre Desplat. Arranged by Carol Matz. For Piano. This edition: Big Note Piano. Book; Piano - Big Note Collection; Piano Supplemental. Movie. Big Note. 132 pages. Published by Alfred Mus…

(Big Note Piano). Arranged by Carol Matz. For Piano. This edition: Big Note Piano. Book; Piano - Big Note Collection; Piano Supplemental. Movie; Pop. Big Note. 196 pages. Published by Alfred Music Publishing