for Percussion and Violoncello. Par HUMMEL BERTOLD. In summer 2001, Bertold Hummel composed the present work as a commission for the 'Asiago Festival' and brought together in the grand dimensions of his 'Fantasy in one movement' - as he himself termed it - for the first time the instruments he had always loved much during his life. Asiago - the letters a-s-a-g, corresponding to the notes a, e-flat…

Par BAY MEL. With the thoroughness of a book by Mel Bay, this method presents mandolin technique and note-reading in a progressive, step-by-step fashion. Given the diverse applications of this versatile instrument, this method was carefully written to build the musicianship and technique needed to play both classical and contemporary mandolin styles. Music theory concepts and additional playing te…

Easy Pieces For Playing And Improvising. Par HULSMANN JULIA. How does one learn to improvise? The well-known jazz pianist Julia Hülsmann provides an easy and accessible introduction to Modern Piano Improvisation in this first volume of the series. In 15 easy pieces she shows how to use just a few tones to develop your own improvisational ideas and motifs. This volume contains known standards by gr…

Par PURCELL HENRY. Purcell composed six of his finest odes to honour the birthdays of Queen Mary in successive years from 1689. Come, Ye Sons Of Art (1694) followed recent stage successes and contains some of the composer's most sparkling and memorable instrumental and vocal writing. This authoritative performing edition is prepared by the leading Purcell expert, Robert King. / Niveau : Elémentair…

Technique du Cajon flamenco. Toutes les références sur le Cajon, les sons de base, sa technique et son application à la musique flamenca. Cinq caméras ont enregistré et montrent en détail la technique du Cajon. Des explications minutieuses sur le compas (mesure du flamenco) des 'palos' (styles flamenco), un résumé de l'histoire du cajon et la description de sa fabrication, en bonus un chapitre con…

Par TELEMANN GEORG PHILIPP. Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1 Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of…

Viola. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during…

Viola. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik II If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the…

for 3 Violins, Strings and Basso Continuo. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik II If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment change…