Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The first edition of a Missa in F by Giovanni Platti [ca. 1690–1763] is a rarity. Platti served at the Court of the Counts of Schönborn-Wiesentheid, and during his more than 40 years of service at the Court he worked for more than five masters and each of them knew how to make use of his musical abilities. Thus, in addition to …

Par CAMBINI GIOVANNI GIUSEPPE. First Edition/ Répertoire / 2 Violons, Alto et 2 Violoncelles

The Celle court organist Wolfgang Weßnitzer was a paragon of diligence when it came to compiling keyboard pieces. His collection, put together around 1662, is sure to impress the friends of early keyboard music and musicologists alike. It contains over 200 little pieces by Jan Pieterszoon Sweelinck and Heinrich Scheidemann - to name but the most famous composers - and was practically unknown until…

Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto …

Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The first edition of a Missa in F by Giovanni Platti [ca. 1690–1763] is a rarity. Platti served at the Court of the Counts of Schönborn-Wiesentheid, and during his more than 40 years of service at the Court he worked for more than five masters and each of them knew how to make use of his musical abilities. Thus, in addition to …

Par JENNER GUSTAV. First Edition/ Répertoire / Quatuor à Cordes

Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Par SCHULHOFF ERWIN. Erwin Schulhoff was a pianist himself. So it is quite easy to understand why his oeuvre includes a particularly large number of works for solo piano in many styles, including Dadaism and jazz. Schott now presents the first edition of '10 Klavierstücke' which were composed by Schulhoff in the style of the New Viennese School. Each of the miniatures has a headline that describe…

Giovanni Battista Ferrandini (1710-1791): O Spettacolo pur troppo funesto
cantata sacra for soprano, 2 viols da gamba, lute (or guitar/harpsichord) and organ, edited by Michael Dücker. Ferrandinis piece (Durata: 25') is composed for the Good Friday with an obbligato lute and a virtuoso accompaniment of the gambas. First edition. Series Collegium Musicum - Kölner Reihe Alter Musik.