Editor: Heinemann, Ernst-Guenter Towards the end of the 18th century, Clementi increasingly advocated the piano as the successor to the harpsichord. He composed expressly for the new instrument and in 1801 published a piano school. His interest in teaching is also shown by the 'Six progressive Sonatinas' op. 36 ' six sonatinas in ascending order of diffi culty, which are still extremely popular w…

for 2 Violins, Viola and Violoncello. Par SCHUMANN ROBERT. 'The next I'll do is 3 violin quartets' wrote Schumann to Clara Wieck in 1838, stating his reasons in a letter dated 17 March 1838: 'The thought of the quartets gives me pleasure. The piano is getting too narrow for me. In composing now I often hear a lot of things that I can barely suggest. For instance, it is remarkable how I invent almo…

In 1887 Antonin Dvorak revised several of the works he had composed in the 1860s and 1870s, most of which he then published for the first time. In this context he asked the music critic Ludevit Prochazka to return a manuscript copy of the Piano Quintet in A major op. 5 (B 28), composed 15 years earlier. But after thoroughly revising the work he declined to publish it - instead, he wrote a new pian…

Alfred's Basic Piano Library: French Edition Lesson Book 1B. Par LETHCO AMANDA VICK / MANUS MORTON / PALMER WILLARD. French Language Edition. This easy step-by-step method emphasizes correct playing habits and note reading through interval recognition. Lesson Book 1B begins by reviewing the concepts taught in Lesson Book 1A, then introduces new concepts such as incomplete measures, tempo markings,…

Version II (1725). Par BACH JOHANN SEBASTIAN. Unlike Bach’s other oratorio compositions, there is no definitive version of the St. John Passion. The first version of 1724 which is today’s standard version represents a mixture of different readings. The second version of 1725 was performed under the direction of Bach himself and can therefore be considered authentic. In addition to a change in orde…

Górecki's Church Songs, based on melodies from Rev Jan Siedlecki's ?piewniki Ko?cielne ('church songbooks'), were composed in 1986. This edition is based on the PWM edition of 2013, which was produced with the assistance of Anna Górecka and Miko?aj Górecki. A special feature of the Boosey publications is the new, alternative Latin sung text by Edward Tambling, which will be attractive to the many …

At last ... a collector's edition fit for Queen! The new Queen Platinum Collection is a hardcover edition featuring full-band transcriptions for nearly 50 classics from the iconic band. Every instrument, every note, every lyric, and every nuance of every song is carefully transcribed. It's beautifully packaged in a protective sturdy slipcase. Songs include: Another One Bites the Dust ? Bicycle Rac…

Gioachino Rossini chooses Semiramide as the opera subject of the Carnival season 1822-23, the last of his Italian career. The opera - composed on a libretto by Gaetano Rossi - was performed for the first time in Venice, Teatro La Fenice, on February 3rd 1823. The history of this work is characterized right from the first performances by frequent manipulations, cuts and consecutive adjustments beca…

Bärenreiter continues its Urtext edition of the complete Beethoven piano sonatas with three major works at once.They begin with the frequently played op. 2 Sonatas (nos. 1-3) (BA 10859) which stem from his early yet mature oeuvre when he was developing an independent style from the legacy of Mozart and Haydn.They then proceed to the lyrical D major Sonata op. 28 from his middle period (nicknamed '…

à 26 in concerto. Par BIBER HEINRICH IGNAZ FRANZ. This first edition of a mass by Biber offers a new glimpse of the colourful and contrastful world of the Baroque. Since the publication of his 'Missa Salisburgensis' in 1903, no mass with this kind of many-voice scoring has appeared in print. This edition not only enriches the multi-choir repertoire, but also is an important contribution to study o…