1. Violin, 2. Violin (Viola) Violoncello. Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT. The Sassmannshaus 'Early Start” string methods cultivate playing together as early as possible, initially in duets. However playing in larger mixed ensembles is also encouraged and this tried-and-trusted edition for strings provides the perfect start for this. The first songs can all be performed in canon: each …

Selections from the Student Repertoire. Par DIVERS AUTEURS / ARR.BARBARA BARBER. Selection from the student repertoire. Compiled and edited by Violinist Barbara Barber. Includes Violin Part and Piano Part/ Recueil / Violon et Piano

Par BERIO LUCIANO. This set of arrangements of Luciano Berio’s “Duetti”, originally for two violins, represents a fascinating expansion of the limited repertoire for two violas. Berio originally conceived these duets as a collection of occasional pieces, each dedicated to someone who was close to him, rather like Elgar’s “Enigma” Variations, but they eventually developed into a full compositional …

from RECUEIL DE DOUZE SONATES (1712) pour 2 Violons (flutes/oboes), Basse pour la Viole avec Basse chiffrée. Rebel was very important for the French violin school and the development of the sonata. These trio-sonatas No. 1-7 for 2 violins, bass gamba and harpsichord were printed by Ballard in 1712. Series Collection Thierry Mathis

for 2 Violins, Viola and Violoncello. Par SCHUMANN ROBERT. 'The next I'll do is 3 violin quartets' wrote Schumann to Clara Wieck in 1838, stating his reasons in a letter dated 17 March 1838: 'The thought of the quartets gives me pleasure. The piano is getting too narrow for me. In composing now I often hear a lot of things that I can barely suggest. For instance, it is remarkable how I invent almo…

Par STILES SARAH. Something of a first in violin music, Dual Band features nine exciting violin duets that also offer nine exciting routes to creative improvisation. Through special IMPRO sections, players are encouraged to explore every aspect of the instrument as a means to open-minded music-making, carefully set within the formal framework of individual pieces. Titles include A Thought, Transqu…

for String Sextett. Par MOZART WOLFGANG AMADEUS. For String Sextet (2 Violins, 2 Violas, 2 Cellos, Bass) set of parts. Mozart ’s Sinfonia Concertante for Violin and Viola, K. 364 (320d), is his only complete surviving work in this genre. He wrote it in 1779 after returning from Paris and Mannheim. For two decades it was known only in a few copyists’ manuscripts. The first edition did not appear un…