C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB…

Waisenhausmesse. Par MOZART WOLFGANG AMADEUS. Bei Mozarts Missa in c-Moll KV 139 (114a) von 1768/69, der sog. Waisenhausmesse, handelt es sich sehr wahrscheinlich um den ersten Beitrag des Komponisten im Genre der Missa solemnis (mit Blechbläser), wie sie für kirchliche Hochfeste und andere besonders repräsentative geistliche Anlässe gepflegt wurde. Wie die Nähe von Kyrie und Agnus etwa zu Glucks …

C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB…

Eine bürgerliche Komödie mit sinfonischen Zwischenspielen in 2 Aufzügen. Par STRAUSS RICHARD. Eine Bürgerliche Komödie Mit Sinfonischen Zwischenspielen In 2 Aufzügen/ Répertoire / Solistes, Choeur et Orchestre

B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The ch…

B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The ch…

Par ROSSINI GIOACHINO. Die 'Messa di Rimini', 1809 für die Kathedrale in Rimini geschrieben, zählt neben der 'Petite Messe solennelle', dem 'Stabat Mater' und der 'Messa di Gloria' zu Rossinis umfangreichen Beiträgen zur Musica sacra. Sie besteht aus großangelegten Chorsätzen und Arien für jeden der vier Solisten; Ensembles begegnen dagegen nur zweimal, im 'Domine Deus' [Duett] und im 'Et in terra…

Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the mus…

C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB…

Par ROSSINI GIOACHINO. Die 'Messa di Rimini', 1809 für die Kathedrale in Rimini geschrieben, zählt neben der 'Petite Messe solennelle', dem 'Stabat Mater' und der 'Messa di Gloria' zu Rossinis umfangreichen Beiträgen zur Musica sacra. Sie besteht aus großangelegten Chorsätzen und Arien für jeden der vier Solisten; Ensembles begegnen dagegen nur zweimal, im 'Domine Deus' [Duett] und im 'Et in terra…

Composed by Antonio Capuzzi, edited by Philip Catelinet. For tuba (or euphonium, trombone, Eb bass, Bb bass) and piano. Format: set of performance parts (euphonium, trombone, bass Eb and Bb parts included). With solo parts and piano reduction. Classical period. 31 pages. 9x12 inc…

By Georg Philipp Telemann. Trombone and piano. Published by International Music Co.

Composed by Gilles Rocha. Duration 6'15. Published by Editions Marc Reift (MA.EMR-28251).

Composed by Launy Grondahl (1886-1960). For trombone solo and piano accompaniment. Format: instrumental solo book. With solo part, standard notation, piano reduction and introductory text. 20th Century. Composed 1924. 28 pages. 9x12 inches. Published by Samfundet.

Composed by Max Bruch (1838-1920). Arranged by Ralph Sauer. German Romantic. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2637).

By J.Guy-Ropartz. Arranged by A. Shapiro. For Trombone and Piano. Published by Carl Fischer.

By Johann Ernst Galliard. For bass trombone and piano (organ). Swiss import. Level: 4. Score and parts. Published by Editions Marc Reift. (EMR 2145N)

Composed by J. Edouard Barat. Set of performance parts for trombone solo and piano accompaniment. Bb Minor. 9 pages. Published by Carl Fischer.

By Georg Philipp Telemann. Trombone and piano. Published by International Music Co.

By Stjepan Sulek. For trombone and piano. Contemporary. Level: 5. Composed 1973. Duration 8'. Published by Editions BIM (Swiss import).

By Sergei Prokofiev (1891-1953). Arranged by Charles Vernon. For Bass Trombone and Piano. Russian Ballet Suite. Virtuoso. Solo part and piano accompaniment. Published by Cherry Classics

By Nicola Ferro. For Trombone and Piano. Written for Joseph Alessi. Duration ca. 4 minutes

By John Jorgenson. For Trombone. Classical. Sheet Music. Published by Edition Wilhelm Hansen.

Composed by Ferdinand David, arranged by Robert Mueller. Set of performance parts for trombone solo and piano accompaniment. Eb Major. 26 pages. Published by Carl Fischer.

By Felix Alexandre Guilmant. Arranged by E. Falaguerra. For Trombone. Brass - Trombone Solo. 12 pages. Published by Alfred Publishing.

By Derek Bourgeois. Solo with piano. Chamber Music. Level: Grade 5. Score and set of parts. Published by G and M Brand Music Publishers.

By Giovanni Battista Pergolesi. For trombone and piano (organ). Swiss import. Score and parts. Published by Editions Marc Reift. (EMR 328) Level: 4+.

By Herbert L. Clarke. Arranged by David Marlatt. For Cornet, Trombone & Piano. Brass Ensemble - Other. Level: Medium-Difficult. Score and set of parts. Duration 3:30. Published by Eighth Note Publications.