Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Le top 35 des hymnes les plus demandés tous magnifiquement arrangées pour piano, voix et guitare. Comprend Reste avec moi, Etiez-vous là et Amazing Grace. / Piano/Vocal/Guitare (PVG) / Partition

1. Choir, 2. Choir, Organ. Par BACH JOHANN SEBASTIAN. Version of 1736 (final version) Bach ’s St. Matthew Passion passed through several stages in its progress towards its final form, stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas’s Church, Leipzig, in a version of which the copy made by Bach ’s son-in-…

Cantata for the Sundays after Trinity. Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Cantatas For The Sundays After Trinity - Medium Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their…

By Various. Arranged by David Marlatt. Various. For Trombone and Piano. Brass - Trombone and Baritone Method or Collection. Solo Performer Series. Renaissance. Level: Medium-Difficult. Published by Eighth Note Publications.

By Traditional. Arranged by David Marlatt. For Trombone and Keyboard. Brass - Trombone Solo; Solo. Eighth Note Publications. Part(s). Duration 00:02:40. Published by Eighth Note Publications

By George Frideric Handel. Arranged by David Marlatt. For Trombone and Keyboard. Brass - Trombone Solo. Baroque. Level: Medium. Duration 00:03:35. Published by Eighth Note Publications.

Trombone & Piano - advanced

SKU: CY.CC2773

Arranged by Keith Terrett. Christmas Carols Jazzy. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2773).

A wonderful collection of Traditional Christmas Carols in a jazz style for Trombone and Pian…

By Giacomo Carissimi (1605 - 1674). Arranged by David Marlatt. For Trombone and Keyboard. Brass - Trombone Solo. Baroque. Level: Easy-Medium. Duration 00:03:05. Published by Eighth Note Publications.

By Jean-Baptiste Loeillet (1680 - 1730). Arranged by David Marlatt. For Trombone and Keyboard. Brass - Trombone Solo. Baroque. Level: Easy-Medium. Duration 00:02:00. Published by Eighth Note Publications.