Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Wachet auf, ruft uns die Stimme. Par BACH JOHANN SEBASTIAN. This enchanting melody is from the fourth movement of Bach’s Cantata 140 which was composed in 1731 using the parable of the wise and foolish virgins as the text. The work is beautiful in its simplicity with only three melodic lines, demonstrating Bach’s counterpoint at its best. For greatest effect it is suggested that the trumpets and t…

Par PINKHAM DANIEL. For organ, 2 trumpets, trombone (or horn) and trombone./ Répertoire / Quatuor de Cuivres et Orgue

Trombone 3. Par . Here is an economical collection of 15 complete arrangements in a variety of styles. Perfect for quickly building a library of great sounding charts. Playable with 3 saxes, 2 trumpets, 1 trombone, piano, drums. Includes: Ain't No Mountain High Enough; Baby, It's Cold Outside; Blue 'n' Moody; Blue Train; Come Fly with Me; Final Countdown; Green Onions; Hawaii Five-O Theme; Livin' …

WAB 24. Par BRUCKNER ANTON. What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in length, and in the spirit of Mozart, it was written in 1852 for a service at the Monastery Church of St. Florian. With its concise form and scoring for small forces it off…

Compositeur(S): Frederic Angarny. Par SEKTA VOODOO. Based on the Gerorge Herbert text'Let All the World in Every Corder Sing'. Opt. Brass Parts (Trumpets I and II, Trombones I and II, opt. Tuba) available separately./ Feuillet / Chant et Piano

Par BRAHMS JOHANNES. Braham's second symphony was an instant success when it first premiered in 1877. From its ingenious treatment of attractive melodic ideas in the first movement and the somber adagio, to the lyrical charm of the allegretto and the finale's robust cheerfulness, it is a delightful combination of enchanting melodies and masterly thematic treatment. A staple of the repertoire, it i…

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Par VAN DER ROOST JAN. A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the mu…

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