A Method for Keyboard Artists. Par . Improvising Fugue: A Method for Keyboard Artists is a guide for those who aspire to the highest levels of fluency as inventors of spontaneous music at the piano, fortepiano, harpsichord, organ, or digital keyboard. Written for professional performers, conservatory students, and devoted amateurs, this book leads the reader along the arduous journey from score de…

Par DIGBY ANDREW. the same material is repeated in constantly varying configurations: no two bars have simultaneously the same number of instruments, direction of and number of discontinuities in the glissandi, number of crossings through the octave or unison between instruments. this last is the most important characteristic of the piece. many such crossing points are also punctuated by other ins…

Par HARRIS PAUL. More Graded Studies for Saxophone Book 2 brings together saxophone study repertoire spanning the entire spectrum of technique and providing a firm foundation for progress. Featuring core studies alongside specially composed pieces by Paul Harris, these comprehensive collections apply the Simultaneous Learning approach to instrumental technique. Book Two takes the student from inte…

The Path to Mastery and Individuality (For All Instruments). Imagine if you could HEAR a musical phrase, VISUALIZE its layout on your instrument by seeing and feeling the fingerings and/or embouchure in your mind's eye, KNOW the names of the notes as well as the degrees of the key and FEEL the dynamics you want to include. All simultaneously, in a millisecond, and without moving a muscle ... and i…

New Edition. Par HARRIS PAUL. Firmly rooted in Paul Harris's Simultaneous Learning approach, this new edition of Improve your sight-reading! Saxophone Grades 1-5 is designed to help overcome all the stumbling blocks to successful sight reading. Step by step you will build up acomplete picture of each piece, firstly through rhythmic, melodic and technical exercises, then by studying prepared pieces…

Par COLLECTIF. Sous la direction de Pierre-Albert Castanet, Geneviève Mathon, Lenka Stransky   « On ne prostitue pas impunément les mots », écrivait Albert Camus. C’est précisément cette existence du mot, aux marges du sens conventionnel et communicatif, qui fait l’objet du présent ouvrage. Ce dernier s’attache à interroger l’être du Mot à travers diverses expériences poly-sensorielles poétiques (…

Par HARRIS PAUL. More Graded Studies for Saxophone Book 1 brings together saxophone study repertoire spanning the entire spectrum of technique and providing a firm foundation for progress. Featuring core studies alongside specially composed pieces by Paul Harris, these comprehensive collections apply the Simultaneous Learning approach to instrumental technique. Book 1 begins at elementary level an…

Cinétisme et modèles dynamiques dans la musique et les arts visuels. Par COLLECTIF. Sous la direction de Pierre-Albert Castanet et Lenka Stransky La notion de mouvement a d’une part été examinée à travers son élaboration archétypique, théorique, psychologique et philosophique : inscription temporelle ou appréhension de l’espace, modélisations diverses etc. sont au sommaire du présent ouvrage. D’a…