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| Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …
26.60 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Missa In C (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarines [Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …
9.20 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …
70.50 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …
28.70 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Missa In C (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarines [Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …
9.20 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …
23.00 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …
14.70 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Missa In C (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarines [Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …
9.20 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Sounds Of Celebration
Clarinette
Hal Leonard
Here's a new series useful to fill plenty of solo and ensemble needs. Whether it's a soloist using a book (accompanied by piano or the fully-orchestrated accompaniment track) or two, three, four players, or a full orchestra, Sounds of Celebration is a uniquely flexible new idea for church instrumentalists! Each book includes a solo line and an ensemble line. Mix and match lines with different inst…
20.70 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Triptych (Vocal Score)
Chorale SATB
SATB, Orchestre
Novello & Co Ltd.
Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and …
15.80 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Requiem (MOZART WOLFGANG AMADEUS)
Chœur Mixte SATB et Orchestre [Conducteur]
Barenreiter
Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Full Score) This publication offers a source-critical edition of Mozart’s fragmentary “Requiem” as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a s…
87.70 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Requiem (MOZART WOLFGANG AMADEUS)
Choeur Mixte SATB et Piano
Barenreiter
Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Vocal Score) This publication offers a source-critical edition of Mozart’s fragmentary “Requiem” as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a …
20.00 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Mosaic Pictures for Piano (SZATHMARY ZSIGMOND)
Piano seul [Partition]
Barenreiter
Par SZATHMARY ZSIGMOND. The powerful intensity of colour and expressiveness of the mosaic images in the apse and altar area of the late antique church of San Vitale (from the 6th century) in Ravenna made a lasting impression on Zsigmond Szathmáry. The fascination of how imposing images emerge from tiny, luminous mosaic cubes and vividly tell the biblical stories inspired the composer to write his …
36.10 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| You Can'T Keep A Good Song Down (THOMAS RUTHIE)
Piano, Voix et Guitare
Stainer and Bell
Eleven songs to warm the heart and praise the Lord. Par THOMAS RUTHIE. The words and music of Ruthie Thomas proclaim the power of Christ in our world, through a distinctive voice and vision blending African-Caribbean, jazz, soul and calypso styles. Singing in her father´s Pentecostal Church was an important part of herchildhood, preparing the ground for her vocation to offer the Lord´s praises thr…
8.50 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Trauermusik (HINDEMITH PAUL)
Violoncelle, Orgue
Schott
Since the last movement of this piece, which is perhaps the most beautiful of Hindemith's pieces, is a chorale, a version for string instrument plus organ is the obvious work to publish. Thus, 'Trauermusik' can now be performed in churches as well.Versions of 'Trauermusik' for viola or violin or violoncello with piano have been available for quite some time. Now, organists too can include this fam…
14.50 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Trauermusik (HINDEMITH PAUL)
Alto Et Orgue
Schott
Since the last movement of this piece, which is perhaps the most beautiful of Hindemith's pieces, is a chorale, a version for string instrument plus organ is the obvious work to publish. Thus, 'Trauermusik' can now be performed in churches as well.Versions of 'Trauermusik' for viola or violin or violoncello with piano have been available for quite some time. Now, organists too can include this fam…
14.50 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Trauermusik (HINDEMITH PAUL)
Alto Et Orgue
Schott
Since the last movement of this piece, which is perhaps the most beautiful of Hindemith's pieces, is a chorale, a version for string instrument plus organ is the obvious work to publish. Thus, 'Trauermusik' can now be performed in churches as well.Versions of 'Trauermusik' for viola or violin or violoncello with piano have been available for quite some time. Now, organists too can include this fam…
16.70 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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English
version
Trumpet Solo and Play-Along Orchestrations Arranged by Sean O'Loughlin. Composed by Bernard De La Monnoye, James Murray, John Hopkins, Lewis Redner, George Frideric Handel (1685-1759), French carol, Franz Xaver Gruber, Welsh Carol, English Carol, Felix Bartholdy Mendelssohn (1809…
