These three a cappella movements each originate from different largescale compositions, some for fairly substantial forces. In these works, when the focus is turned on the essence of a statement, I have (probably out of pure instinct) permitted all adjuncts - such as subtle orchestral accompaniment, opulent percussion, soloists, electronics etc. - to fall silent and tried to express myself through…

47 Jazz Originals. 47 Jazz Originals / Jazz / Recueil / Instruments Mélodiques en Do

Par BRITTEN BENJAMIN. This work was originally written in 1964 for two 12 year old twin brothers whom Britten met whilst working in Budapest. Each twin played the piano, and one the flute and the other the violin. A second version has been prepared for those who may not be quite so versatile as the twins for whom it was originally intended, and includes a version for four players with extra ad lib…

Par BOURDEAU EUGENE. Eugene Bourdeau came from a family of bassoonists and eventually became the professor of bassoon at the Paris Conservatory from 1891 to 1922. Though not well-known as a composer, he composed three solos for bassoon, consisting of a a variety of styles. The Deuxieme (Second) Solo, composed for the 1907 concours of the Paris Conservatory, is in three sections: a stately introduc…

Réduction pour chant & piano. Par POULENC FRANCIS. The vocal score of Francis Poulencs Stabat Mater setting, originally composed in 1950 for soprano solo, mixed chorus and orchestra. This edition features a Piano reduction of the orchestral material. The vocal score of Francis Poulenc's Stabat Mater setting, originally composed in 1950 for soprano solo, mixed chorus and orchestra. This edition fea…

Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s s…

Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the r…

Par . 'Time & Rhythm' contains easy dances and folksongs from various countries and in a variety of styles all beautifully arranged by Viktor Fortin and retaining their spirited and lively qualities. The lyrics of the songs have been included and contain important hints about breathing patterns and phrasing. Information regarding the origin and character of the historic dances, as well as their so…

Par VANDE GINSTE STEPHANE. On January 1st, 2016, Stephane Vande Ginste had an extraordinary intention: he planned to compose a 1-minute piece for piano every single day for the whole year. The result is an impressive collection of piano miniatures which - although contemporary - result in a variety of musical styles: apart from some experimental pieces, there are jazzy- and poppy pieces, more trad…

Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s s…

A violin method for children age four and older. By Egon Sassmannshaus; Kurt Sassmannshaus. American English translation: Kurt Sassmannshaus and Melissa Lusk; Illustrations: Charlotte Panowsky. For Violin. Take advantage of our exclusive introductory offer now and save 25% off t…

A violin method for children. By Egon Sassmannshaus; Kurt Sassmannshaus. American English translation: Kurt Sassmannshaus; Illustrations: Charlotte Panowsky. For Violin. Take advantage of our exclusive introductory offer now and save 25% off the regular price - this special pri…

By Simon Fischer. For Violin. Education. Method book. 201 pages. Published by Edition Peters

By Amy Barlowe. For Violin. String - Violin Studies or Collection. Masterwork. Book. 84 pages. Published by Alfred Music Publishing

Book One. By Carl Flesch. Edited by E. Rosenblith. Arranged by E. Rosenblith A. Mutter. For Violin. Masters Collection. Classical. Text. 192 pages. Published by Carl Fischer.

By Janice Tucker Rhoda. For Violin. Published by Carl Fischer.

(42 Studies (from Opp. 45 and 74)). By Heinrich Wohlfahrt. Edited by Rachel Barton Pine. For Violin. Book and DVD. 64 pages. Published by Carl Fischer

By Nicola Matteis. Edited by Alessandro Bares. For solo violin. I piaceri del violino. Baroque. Score. Published by Musedita Edizioni Musicali

Jascha Heifetz Version. By Jascha Heifetz. By Niccolò Paganini. LKM Music. Softcover. 52 pages. Lauren Keiser Music Publishing #S510013. Published by Lauren Keiser Music Publishing

Composed by Nicolo Paganini (1782-1840). Edited by Daniela Macchione. For violin. This edition: Urtext edition. Paperback. Level 5. Performance score, anthology. Text Language: English/German. Published by Baerenreiter Verlag

By Mary Cohen. For Violin. Book; String - Violin Studies or Collection; Technique Musicianship. Faber Edition. Published by Faber Music

By Ottakar Sevcik. Published by Music Sales.

Violin Ensembles. By Sven Sjogren. For Violin. String Ensemble (Suzuki). Book and CD. 56 pages. Published by Alfred Publishing.

Violin with Original Audio Backing Tracks. By Lindsey Stirling. By Andrew Lloyd Webber. Violin. Softcover Audio Online. 8 pages. Published by Hal Leonard

(A third book of pieces for violin). By Kathy and David Blackwell. For violin. Violin. Fiddle Time. Fiddle Time. Easy. 32 pages. Published by Oxford University Press