La musique de l'Amérique latine est aussi riche, diversifié et stimulant que sa culture unique. Européenne, influences africain and indiennes se sont mélangés pour créer des rythmes énergiques et mélodies fascinantes qui se libérer de leurs origines traditionnelles, créant un son qui est distinctement Latin. Découvrez les charmes de la musique passionnée et dynamique. Latin favoris pour trompette …

Concert Band and combo parts. Par DE HAAN JACOB. The Gospel Mass – messe pour choeur mixte, combo et orchestre d’harmonie, fut composée à partir du style gospel, qui, depuis ses origines en Amérique, s’est peu à peu étendu dans le monde entier. Les différents mouvements de la composition de Jacob de Haan s’articulent selon le déroulement d’une célébration liturgique ordinaire. La Gospel Mass compo…

Aus: Drei Motetten. Par MENDELSSOHN-BARTHOLDY FELIX. The 'Three Motets' op. 69, Jubilate Deo, Nunc Dimittis and Magnificat, were originally intended for the Anglican service, with whose rich choral tradition Mendelssohn became familiar on his many visits to England. / Mottet / Répertoire / Choeur SATB

Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…

'Realms of Endless Day' is a fantasy setting of the hymn tune melody, 'Picardy.' This melody, thought to have been named for the region in France where it is believed the melody originated, is also the melody for the hymns 'Let All Mortal Flesh Keep Silence' and 'Christians, Let Us Love One Another,' as well as the 'Hymn of Saint James.' This enduring and tuneful melody is given three contrasting …

Par GRIEG EDVARD. The piano concerto in a minor stands out in Edvard Grieg’s oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg’s lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto’s size, …

Par THOMAS DAVID EVAN. The Cavatina and Cabaletta format originated in the bel canto era as a showpiece for virtuosi. A short and lyrical arietta was followed by a quick section with fioratura, designed to show off the performer./ Répertoire / Clarinette et Piano

Originally composed by György Ligeti for solo violoncello and established in the cello repertoire, the sonata is now available in an arrangement for guitar (2013) by Kostas Tosidis. Tosidis transcribes contemporary solo cello literature for the guitar to add to the guitar repertoire and explore technical as well as interpretative possibilities. / Guitare

Mathias' Sonatina, originally composed in 1953 but revised in 1986, is a slighter yet more approachable work. A considerable amount of straight repetition renders the music easily assimilable. For instance, both main themes in the opening sonata movement are repeated during the exposition; similarly a large stretch of the development consists simply of a transposed version of a previous passage. O…

The volume for intermediate players in the Ad libitum series offers duos from the Renaissance to the Late Romantic Period, which can be performed in a varied ensemble of instruments. The publication also contains works by less well-known composers, including two pieces by Bertalotti which were originally written for solfege yet are valuable as concert pieces and can be well played, as well as a co…

A violin method for children age four and older. By Egon Sassmannshaus; Kurt Sassmannshaus. American English translation: Kurt Sassmannshaus and Melissa Lusk; Illustrations: Charlotte Panowsky. For Violin. Take advantage of our exclusive introductory offer now and save 25% off t…

A violin method for children. By Egon Sassmannshaus; Kurt Sassmannshaus. American English translation: Kurt Sassmannshaus; Illustrations: Charlotte Panowsky. For Violin. Take advantage of our exclusive introductory offer now and save 25% off the regular price - this special pri…

By Simon Fischer. For Violin. Education. Method book. 201 pages. Published by Edition Peters

By Amy Barlowe. For Violin. String - Violin Studies or Collection. Masterwork. Book. 84 pages. Published by Alfred Music Publishing

Book One. By Carl Flesch. Edited by E. Rosenblith. Arranged by E. Rosenblith A. Mutter. For Violin. Masters Collection. Classical. Text. 192 pages. Published by Carl Fischer.

By Janice Tucker Rhoda. For Violin. Published by Carl Fischer.

(42 Studies (from Opp. 45 and 74)). By Heinrich Wohlfahrt. Edited by Rachel Barton Pine. For Violin. Book and DVD. 64 pages. Published by Carl Fischer

By Nicola Matteis. Edited by Alessandro Bares. For solo violin. I piaceri del violino. Baroque. Score. Published by Musedita Edizioni Musicali

Jascha Heifetz Version. By Jascha Heifetz. By Niccolò Paganini. LKM Music. Softcover. 52 pages. Lauren Keiser Music Publishing #S510013. Published by Lauren Keiser Music Publishing

Composed by Nicolo Paganini (1782-1840). Edited by Daniela Macchione. For violin. This edition: Urtext edition. Paperback. Level 5. Performance score, anthology. Text Language: English/German. Published by Baerenreiter Verlag

By Mary Cohen. For Violin. Book; String - Violin Studies or Collection; Technique Musicianship. Faber Edition. Published by Faber Music

By Ottakar Sevcik. Published by Music Sales.

Violin Ensembles. By Sven Sjogren. For Violin. String Ensemble (Suzuki). Book and CD. 56 pages. Published by Alfred Publishing.

Violin with Original Audio Backing Tracks. By Lindsey Stirling. By Andrew Lloyd Webber. Violin. Softcover Audio Online. 8 pages. Published by Hal Leonard

(A third book of pieces for violin). By Kathy and David Blackwell. For violin. Violin. Fiddle Time. Fiddle Time. Easy. 32 pages. Published by Oxford University Press