for violin and piano. Par CASKEN JOHN. 'Après un silence' was originally written as a work for violin and piano. The piano part was subsequently orchestrated in such a way that the work may be performed with a chamber orchestra or with an ensemble of the same forces using strings. 'The violin's opening interval of a rising sixth is the gem from which everything is developed into one extended movem…

Par HARRIS PAUL. The best-selling Improve your sight-reading! series by renowned educationalist Paul Harris has now been extended to offer a series of editions supporting the Trinity College London sight-reading criteria. The books, including this volume for Grade 1, have been specifically written to reflect Trinity's parameters for each grade and contain new material throughout. Designed to help …

Par SIBELIUS JEAN. After preparing his Scenes historiques op. 66 for print in spring 1912, Sibelius had many grand plans but had to turn towards more profitable piano works first, due to his financial situation. Within only one month, he wrote the Three Sonatinas op. 67 in June 1912, which were published by Breitkopf already in November the same year. Although by his own accounts he did not like w…

Par ALONSO TONY. Created with the same care and vision as the best-selling The Lyric Psalter, The Lyric Gospel Acclamations is a two-volume collection containing lyric settings of every Gospel Acclamation verse from the Lectionary for Mass for Sundays, Solemnities, and Feasts. The all-around accessibility of this collection stands out as it draws on familiar melodies for the refrains (BESANÇON for…

Premiered in London in 1733, Handel's 'magic opera? 'Orlando? is based on a libretto by Carlo Sigismondo Capeci that derives indirectly from Ludovico Ariosto's epic poem 'Orlando furioso?.This subject was very popular at the time and was frequently set to music, e.g. by Jean-Baptiste Lully, Agostino Steffani and Joseph Haydn. The title role of Orlando is the last one that Handel wrote for the cele…

Tonalité : C-Moll - Op.: 149 -. Par RHEINBERGER JOSEF GABRIEL. The field of sacred chamber music, apart from vocal music and the solo-organ repertoire, often lives in the shadows. Thus the reprint of this valuable trio is all the more welcome. The organ has the same role here as the piano in a piano trio! [Württembergische Blätter für Kirchenmusik May 1993, p. 192]/ Répertoire / Violon Solo, Violo…

The 18 pieces in Volumes 1 and 2 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produ…

Tonalité : C-Moll - Op.: 149 -. Par RHEINBERGER JOSEF GABRIEL. The field of sacred chamber music, apart from vocal music and the solo-organ repertoire, often lives in the shadows. Thus the reprint of this valuable trio is all the more welcome. The organ has the same role here as the piano in a piano trio! [Württembergische Blätter für Kirchenmusik May 1993, p. 192]/ Répertoire / Violon Solo, Violo…

Par CURNOW JAMES. Commissioned by the University of Georgia Bands F. David Romines, Associate Director of Bands Rich modern harmonies and exquisite rhythmic counterpoint make this Grade 3 gem a rich and rewarding project for your ensemble. This remarkable piece is a wonderful and exciting performance piece which at the same allows the director countless opportunities to teach the players about int…

Solo in Style is a collection of beginning to intermediate drumset etudes focused on various styles. To prepare the player for each solo, a short list of popular songs in the same style and a full page of exercises precede it. Great for school solo and ensemble repertoire! / Batterie

Composed by Tim Kliphuis. Saddle-stitched, Solos, Alternative Styles, Gypsy. Style. Book and online audio. 76 pages. Mel Bay Publications, Inc #21539M. Published by Mel Bay Publications, Inc

Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

Composed by Roland Vamos. With Standard notation. 72 pages. Carl Fischer #BF00067. Published by Carl Fischer

(42 Studies (from Opp. 45 and 74)). By Heinrich Wohlfahrt. Edited by Rachel Barton Pine. For Violin. Book and DVD. 64 pages. Published by Carl Fischer

Compiled by Josef Gingold. Orchestral excerpt book for violin. Published by International Music Co.

By Samuel Applebaum. Edited by Thom Proctor. String method/supplement (Violin). Level: volume 2. 36 pages. Published by Belwin.

by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels. Book. Solos. Size 8.75x11.75. 268 pages. Published by Mel Bay Pub., Inc.

(Solo Violin). By Fazil Say. For Violin. Schott. Softcover. 12 pages. Schott Music #VLB154. Published by Schott Music

by Craig Duncan. First Lessons. Level: Beginning. Book/CD Set. Size 8.75x11.75. 32 pages. Published by Mel Bay Pub., Inc.

A Musical Sampler from the Pages of Strings Magazine. By Various. String Letter Publishing. Softcover. 112 pages. Published by String Letter Publishing.

Essential Elements. Play Along. Softcover teacher's manual and accompaniment CD-ROM. 272 pages. Published by Hal Leonard

Composed by Martin Norgaard. For violin. Squareback saddle stitch. Getting Into. Beginning-Intermediate. Book and online audio. Published by Mel Bay Publications, Inc

(60 First position Studies (from Opp. 45, 54, 74)). By Heinrich Wohlfahrt. Edited by Rachel Barton Pine. For violin. Method book and DVD. 64 pages. Published by Carl Fischer

By Various. Instrumental Folio. Softcover. 144 pages. Published by Hal Leonard.

By Samuel Applebaum. Edited by Thom Proctor. String method/supplement (Violin). Level: book 1. 36 pages. Published by Belwin.

For Violin(S). Classical. Sheet Music. 64 pages. Published by Music Sales.

By Mackay. For Violin Unaccompanied. Published by Oxford University Press.