Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic ?Te Deum laudamus?, to the skillful choral fugue of ?Fiat misericordia tua?, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset t…

For Pianoforte And Orchestra. Par BEETHOVEN LUDWIG VAN. The autograph to Beethoven's Piano Concerto #4 is lost. For every new edition which has appeared during the course of time there have been only two authentic sources to draw upon- the copyist's manuscript of the score with Beethoven's own corrections and the first edition in parts from 1808 which was published in Vienna and which contains a f…

Par BACH JOHANN SEBASTIAN. Bach ’s Harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the Violin. Bach, however, succeeded in transferring the diverse idiosyncrasies of Violin technique to the keyboard with such ingenuity that most of today’s pianists also include these concerti in their standard repertoire. The first concerto in d mi…

Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For thi…

Felix Mendelssohn can claim the credit of having ushered in the Bach-Renaissance with his arrangement and performance of the ?St Matthew Passion?. It was revived for the first time in the Berlin Singakademie on 11 March 1829, one hundred years after its premiere in Leipzig?s Thomaskirche. A second arrangement was performed in Leipzig in 1841. Originally only available on hire as part of the editi…

Par BRAHMS JOHANNES. This new edition of Johannes Brahms?s Schicksalslied, op. 54 for mixed choir and orchestra is a modern Urtext edition of the score based on current editorial principles. It is based not only on the composer?s personal copy of the first edition as the primary source, but also on the engraving manuscript which was long thought to have been lost. Thus the composer?s handwritten c…

Par BACH JOHANN SEBASTIAN. Bach ’s Harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the Violin. Bach, however, succeeded in transferring the diverse idiosyncrasies of Violin technique to the keyboard with such ingenuity that most of today’s pianists also include these concerti in their standard repertoire. The first concerto in d mi…

in Full Score. With Mozart's Cadenzas for No.s 23 and 27 and the Concert Rondo in D. Par MOZART WOLFGANG AMADEUS. Reprint of the Breitkopf and Hartel edition. With Mozart's Cadenzas for No. s 23 and 27 and the Concert Rondo in D./ Répertoire / Piano

Nach Texten Von Franz Schubert. Par HOLLIGER HEINZ. I was in the middle of a recording project featuring Franz Schubert’s complete symphonies and other orchestral works, when I received a request from Anna Lucia Richter asking if I could compose a companion piece for Schubert’s The Shepherd on the Rock. I was inspired by the movingly simple yet profoundly mysterious musical text Schubert had publi…

Music from the Motion Picture Soundtrack. Par WILLIAMS JOHN / POWELL JOHN. Une sélection de 9 titres du préquel 2018 de Star Wars qui présente l'histoire passée de Han Solo. Cette sélection inclut : 'The Adventures of Han,” composed by John Williams, plus songs from the score by John Powell: Chicken in the Pot - Corellia Chase - The Good Guy - Lando's Closet - Meet Han - Mine Mission - Savareen St…

Composed by Georg Philipp Telemann (1681-1767). Performance score. TWV 40:14-25. 56 pages. Wiener Urtext/Vienna Urtext #UT50415. Published by Wiener Urtext/Vienna Urtext (PR.UT050415).

Composed by Robert Levin. Full score (study). With Standard notation. KV 207; 211; 216; 218; 219. Universal Edition #UE17588. Published by Universal Edition

Composed by Nicolo Paganini (1782-1840). Edited by Daniela Macchione. For violin. This edition: Urtext edition. Paperback. Level 5. Performance score, anthology. Text Language: English/German. Published by Baerenreiter Verlag

Eulenburg Audio Score Series. Composed by Peter Ilyich Tchaikovsky (1840-1893). Edited by Richard Clarke. This edition: Paperback/Soft Cover. Sheet music with CD. Eulenburg Audio Score (Pocket Scores CD). Classical. Study score and CD. Composed 1878. Op. 35. 136 pages. Duration…

Composed by Mary Ann Harbar Willis. Squareback saddle stitch. Book and online audio/PDF. Published by Mel Bay Publications, Inc (MB.96633M).

(Serie IV - Italie 1600-1800). Edited by Alessandro Moccia. For Violin. Facsimiles. Methodes and Traites. Grade 0. 904 pages. Published by Anne Fuzeau Productions - France

For Violin. Classical (chamber). Includes a complete printed music score on high-quality ivory paper; and two compact disc containing a complete performance with soloist, then performed again minus the soloist. Published by Music Minus One

Composed by Johann Sebastian Bach (1685-1750). Edited by Dagmar Gluxam. Full score (study). With Standard notation. BWV 1001 - 1006. Wiener Urtext/Vienna Urtext #UT50255. Published by Wiener Urtext/Vienna Urtext

By Adolphus Hailstork. For 2 violins. Performance scores. Standard notation. Duration 8 minutes, 30 seconds. Published by Theodore Presser Company

For Violin. Classical (orchestral). Includes a high-quality printed music score and a compact disc containing a complete version with soloist, in split-channel stereo (soloist on the right channel); then a second version in full stereo of the orchestral accompaniment, minus the s…

By Robert Woods. Violin. Jazz Basics. Level: Grade 2. Strg col. Published by Heritage Music Press.

Violin. Book; CD; Play-Along; String Series. Pop Instrumental Solo Series. Movie. 44 pages. Published by Alfred Music (AP.42615).

Composed by Ottakar Sevcik (1852-1934). Edited by Jaroslav Foltyn. For violin. Stapled. Level 3. Performance score. Opus 7. Published by Baerenreiter Verlag

(from the orchestral suite BWV 1068). Composed by Johann Sebastian Bach (1685-1750). Arranged by Roman Kim. For violin solo. Stapled. From the orchestral suite BWV 1068. Level 4. Performance score. Text Language: German/English. 5 pages. Published by Baerenreiter Verlag

For Violin. Includes a high-quality printed music score and a compact disc containing a complete version with soloist, in split-channel stereo (soloist on the right channel); then a second version in full stereo of the orchestral accompaniment, minus the soloist. Published by Mus…

For Violin. Classical (duets). Contains printed music score and a compact disc featuring all the works in split-channel stereo, with the first violin on the right channel, the second violin on the left. By adjusting the balance, the soloist can remove either violin and play the o…

For Violin. Includes a complete printed music score on high-quality ivory paper; and two digitally mastered compact discs containing a complete performance with soloist, then performed again minus the soloist. Published by Music Minus One.

Figured Bass Realization by S. Petrenz - with separate Violin and Basso continuo Parts. By Italian Violin Music Of The Baroque Era. Edited by Paul Brainard. Figured bass by Siegfried Petrenz. Violin. Pages: Score = XII and 107 * Vl Part = 58 * BC Part = 42. Urtext edition-paper b…