Pentatonig. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers a…

In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled 'Geistliche Chor-Music? (Sacred Choir Music). Here, the term 'Chor? (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocal…

Par BACH JOHANN SEBASTIAN. Great Sacred Choruses is a selection of choruses from the great cantata and motet canon, which display how Johann Sebastian Bach's wonderful legacy of religious music is celebrated. It is arranged for a mixed voices (SATB) choir by Denis McCaldin. It offers an accessible introduction to the diversity of the composer's choral works, ranging from the well-known 'Jesu, joy …

Par HAENDEL GEORG FRIEDRICH. When the librettist Paolo Rolli and George Frideric Handel composed an Italian opera about Scipio's conquest of the Iberian port city of Carthago Nova in 1726, these events from 209 BC were already almost two thousand years in the past. Research on the critical edition of the opera “Scipione” in the Halle Handel Edition suggests that the librettist and composer had so…

nach Texten von Johann Wolfgang von Goethe. Par SOMMER HANS. Gottwald always seems to find forgotten gems, and these Three Songs by Hans Sommer are an example. Based on texts by Goethe, they are arranged in inspired form for mixed chorus. For advanced choirs./ Répertoire / Chœur [SSAATTBB]

Par KANDER JOHN / BEALE CHARLES (Arr.). Chicago! is perhaps the greatest and bestloved creation of writing team John Kander and Fred Ebb. In We both reached for the gun, Roxie is accused of killing her violent lover and Flynn’s argument is that they both ‘reached for the gun’ at the same time – Roxie had no choice but to kill him, or she would have died. In the staging, Roxie is portrayed as Billy…

Among violinists and teachers, Oskar Rieding (1840-1918) is primarily known for his easily violin concertos suited for beginners. His works, written for music lessons, are easy to master, beautiful to listen to and sparkle with enchanting aesthetics.The Rondo, which originally was the third of four easy performance pieces in a cycle for violin and piano (Op. 22), is one of Rieding's most popular a…

Op. 38. Par ELGAR EDWARD. This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar?s moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of t…

Composed by Jean Sibelius, edited by Alexandre Gretchaninoff, Fransescatti. Instrumental solo book for violin and piano accompaniment. Composed 1904-05. 51 pages. Published by International Music Co.

Arranged by Fritz Kreisler (1875-1962). Piano/violin book (includes separate violin performance part) for violin and piano. With introductory text and black and white photos. 164 pages. Published by Carl Fischer.

Composed by Max Bruch (1838-1920), edited by Zino Francescatti. Instrumental solo book for violin and piano accompaniment. With bowings, fingerings and piano accompaniment. Composed 1864-67. 42 pages. Published by International Music Co.

By Arvo Part (1935-). For violin and piano. Set of parts. Published by Universal Edition

By Kristin Campbell; Ruth Coleman. For violin and piano. General, Eastertide, Christmas. Sacred instrumental. Published by Exaltation Publications.

Composed by Dmitri Kabalevsky (1904-1987), edited by Josef Gingold. Instrumental solo book for violin and piano accompaniment. C Major. Composed 1948. 47 pages. Published by International Music Co.

Score and Parts. By Wolfgang Amadeus Mozart. Arranged by S. Franko. (Violin). This edition: piano reduction. String Solo. Size 9x12 inches. 40 pages. Published by Schirmer.

Compiled by Barbara Barber. Collection for violin and piano accompaniment. With a set of parts. Series: Suzuki Method. 84 pages. Published by Alfred Publishing.

For violin and piano. Format: set of performance parts (includes separate pull-out violin part). With solo part and piano accompaniment. Classical period, romantic period and impressionistic. 242 pages. 9x12 inches. Published by Schirmer.

(From "Thais"). By Jules Massenet (1842-1912). Arranged by M. P. Marsick. Mixed chamber ensemble. For violin and piano. Classical Period. Difficulty: medium. Piano/violin single (includes separate pull out part for violin). 7 pages. Published by Carl

(Hymn Arrangements for Solo Violin and Piano). By Kristin Campbell. String ensemble. For handchimes (3 octaves). Sacred instrumental. Published by Lorenz Publishing Company

By Ludwig van Beethoven. Edited by S. Brandenburg. Violin. Pages: Score = 162 * Violin Part = 88. Urtext edition-paper bound. Published by G. Henle.

Solo Violin with Piano Reduction. By Carlos Gardel, Alfredo Le Pera. Arranged by John Williams. John Williams Signature - String. 8 pages. Published by Hal Leonard.

Composed by Sergei Prokofiev (1891-1953), edited by David Oistrakh. Instrumental solo book for violin and piano accompaniment. With bowings, fingerings, piano accompaniment and solo part. Composed 1943-44. 51 pages. Published by International Music Co.

Composed by Ludwig van Beethoven (1770-1827), edited by S. Brandenburg. Single piece and set of performance parts for Violin and piano. With bowings and fingerings. Urtext edition-paper bound. 37 pages. Published by G. Henle.

for Violin and Piano. By Johannes Brahms. Edited by H.-O. Hiekel. Violin. Pages: Score = 103 * Vl Part = 36. Urtext edition-paper bound. Published by G. Henle.

Composed by Camille Saint-Saens (1835-1921), edited by Zino Francescatti. Instrumental solo book for violin and piano accompaniment. With bowings and fingerings. 54 pages. Published by International Music Co.