B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The ch…

Wiemer, Wolfgang (Arr.) - Br Jcfb E 1. Par BACH JOHANN CHRISTOPH FRIEDRICH. Nicht nur die Musiker des 16. und 17. Jahrhunderts haben - schon aus liturgischen Gründen - immer wieder Vertonungen des Bußpsalms 50 [51] vorgelegt. Auch noch in späterer, säkularisierterer Zeit pflegten gelegentlich Komponisten diese Tradition, so der 'Bückeburger' Johann Christoph Friedrich Bach mit seiner 12-sätzigen K…

Wiemer, Wolfgang (Arr.) - Br Jcfb E 1. Par BACH JOHANN CHRISTOPH FRIEDRICH. Nicht nur die Musiker des 16. und 17. Jahrhunderts haben - schon aus liturgischen Gründen - immer wieder Vertonungen des Bußpsalms 50 [51] vorgelegt. Auch noch in späterer, säkularisierterer Zeit pflegten gelegentlich Komponisten diese Tradition, so der 'Bückeburger' Johann Christoph Friedrich Bach mit seiner 12-sätzigen K…

Waisenhausmesse. Par MOZART WOLFGANG AMADEUS. Bei Mozarts Missa in c-Moll KV 139 [114a] von 1768/69, der sog. Waisenhausmesse, handelt es sich sehr wahrscheinlich um den ersten Beitrag des Komponisten im Genre der Missa solemnis [mit Blechbläser], wie sie für kirchliche Hochfeste und andere besonders repräsentative geistliche Anlässe gepflegt wurde. Wie die Nähe von Kyrie und Agnus etwa zu Glucks …

Waisenhausmesse. Par MOZART WOLFGANG AMADEUS. Bei Mozarts Missa in c-Moll KV 139 [114a] von 1768/69, der sog. Waisenhausmesse, handelt es sich sehr wahrscheinlich um den ersten Beitrag des Komponisten im Genre der Missa solemnis [mit Blechbläser], wie sie für kirchliche Hochfeste und andere besonders repräsentative geistliche Anlässe gepflegt wurde. Wie die Nähe von Kyrie und Agnus etwa zu Glucks …

Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the mus…

Par ROSSINI GIOACHINO. Die 'Messa di Rimini', 1809 für die Kathedrale in Rimini geschrieben, zählt neben der 'Petite Messe solennelle', dem 'Stabat Mater' und der 'Messa di Gloria' zu Rossinis umfangreichen Beiträgen zur Musica sacra. Sie besteht aus großangelegten Chorsätzen und Arien für jeden der vier Solisten; Ensembles begegnen dagegen nur zweimal, im 'Domine Deus' [Duett] und im 'Et in terra…

Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the mus…

C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB…

B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The ch…

Composed by Johann Sebastian Bach (1685-1750), edited by August Wenzinger. BWV 1007-1012. For cello (unaccompanied). Format: cello solo book. With introductory text (German/English) and performance notes (German only). Baroque. 70 pages. 9x12 inches. Published by Baerenreiter-Aus…

By L.R. Feuillard. Cello. For Cello Teaching. Published by E.C. Schirmer Publishing.

170 Foundation Studies-Volume 1. (For Violoncello). For cello. 170 Foundation Studies For Violoncello. Instructional. Instructional book. Introductory text. 105 pages. Published by Carl Fischer

By Louis R. Feuillard. For cello. Method / Etudes. Score. 65 pages. Published by Edition Delrieu

By Johann Sebastian Bach. Cello solo. Published by International Music Co.

Written by Rick Mooney. Instructional book for cello. With introductory text, standard notation, fingerings, bowings, instructional text and instructional photos. 63 pages. Published by Summy-Birchard Inc.

Composed by John Williams. For cello. Includes instrumental solo book and accompaniment CD. With standard notation. Movies. 9x12 inches. Published by Warner Brothers.

For Solo Cello. Composed by Philip Glass (1937-). Music Sales America. Softcover. 10 pages. Chester Music #DU11110. Published by Chester Music (HL.14047995).

(Revised Edition). For cello. String - Cello (Suzuki). The Suzuki Method Core Materials. Instructional and Technique. Instructional book. Fingerings and introductory text. 19 pages. Published by Alfred Music Publishing

Scale and Arpeggio Exercises. Composed by Ivan Galamian. Edited by Hans Jorgen Jensen. Bestseller, Methods. Instructional and Scales. Instructional book. 154 pages. Galaxy Music Corporation #1.3282. Published by Galaxy Music Corporation

By Alfredo C. Piatti. For Cello. Strings. Published by Stainer and Bell Ltd. (U.K. Import).

(Solo Cello). Composed by Philip Glass (1937-). For Cello. Music Sales America. Softcover. 4 pages. Chester Music #DU11033. Published by Chester Music

(Violoncello Exercises for the Left Hand). By Janos Starker. Peermusic Classical. 44 pages. Peermusic #60871-906. Published by Peermusic

By Franchomme, Auguste-Joseph (1808-1884). Cello solo. Published by International Music Co.

By Giuseppe Maria Dall'Abaco. Edited by Daniele Bogni. For solo cello. This edition: Paperback. Minghen dal Viulunzel. Baroque, Galant. Published by Musedita Edizioni Musicali