Anthem. Par HAENDEL GEORG FRIEDRICH. As in many of his other works, Handel drew upon earlier compositions of his own for 'O praise the Lord with one consent'. The arias in this anthem are brief and straightforward by comparison with the arias in Handel's Italian operas./ Répertoire / Solo ST (T) B, Choeur SATB, Hautbois, 2 Violons et

Passionskantate. Par TELEMANN GEORG PHILIPP. In this five-movement Passion cantata dating from Telemann’s Frankfurt years, the vocalist and the violist are each given attractive, though not excessively difficult tasks. This edition contains the original version for voice, viola and bassocontinuo, as well as the version by Telemann’s successor at Frankfurt, Johann Balthasar König [1691–1758], which…

Osterkantate. Par TELEMANN GEORG PHILIPP. This cantata has come down to us, unusually, with two sets of words. Certainly the second, and possibly also the first, is a parody. The first text is clearly intended for Easter, while the second, of a general nature, sings the praises of patience, hope, and trust in God. This extremely effective work, basically heroic in character, might well be performe…

Windhaager Messe. Par BRUCKNER ANTON. Choral mass for a low solo voice, that was composed in Windhaag during 1842. / Messe / Répertoire / Solo à (B), 2 Cors et Orgue

/ Violon, Clarinette (Si Bémol), Cor Et Piano

This organ trio play-a-long set simply swings like no other! You will be sure to explore all that the blues form has to offer with a B-3 trio that will blow you away with their musicianship and feel. A great addition to your collection! Special stereo separation has drums and bass on both channels with guitar and organ split on different channels.Boogaloo in Bb - Work Song - Slow Blues - Groove B…

Par THUILLIER FRANCOIS. / Méthode / Saxhorn B ou Euphonium

Par BUXTEHUDE DIETRICH. Buxtehude took the melody and words from the evening hymn Christ, der du bist der helle Tag. The words are embellished with coloratures and a change of meter enhances the work’s charme. This composition goes beyond the bounds of a straightforward chorale cantata through its use of concertante elements, which also applies the voice parts. The title of this work, on a copy ma…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Arrgt: Eric Vireton. Par SATIE ERIK. Formation : Musique de Chambre, Quintette, Quatuor - Instrumentation :Flûte et Quatuor de Clarinettes : 1 Flûte Traversière 3 Clarinettes Sib 1 Clarinette Basse - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 1 mn 40 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Erik SATIE - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / …