Par TOMASI HENRI. / Répertoire / Partition D'Orchestre In 16 Poche

The importance of the single in the career of The Smiths cannot be overstated. Morrissey and Marr both regarded the format as hugely significant, with each release sporting a traditional paper sleeve and poignant choice of cover star, from James Dean to Shelagh Delaney. They reflected the band's shared love of the great singles of the 50s and 60s, and many have since become collector's items. This…

Vocal score. Par HOGAN MOSES. Une collection de 29 stylistiquement authentiques arrangements pour choeurs SATB spirituelle. Le contenu couvre la période 1914 à 2001 et sont ordonnées chronologiquement. Beaucoup de chansons les plus connues de compositeurs les plus importants du genre et arrangeurs sont inclus. Le volume des enquêtes de la gamme entière spirituelle de thèmes et de formes d'une mani…

Par ASCH GLENN / REINER DAVID. For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from …

The complete edition of Bunk's organ music comes to an end with the publication of volume VI which contains organ works of a primarily liturgical nature. The quality of the music can be compared with compositions by Max Reger and Sigfrid Karg-Elert.This Urtext edition, prepared by the composer's grandson, is the result of a thorough study of the sources based on the latest findings of musical scho…

Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…

Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…

Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…

With Critical Report. Par BRAHMS JOHANNES. / Répertoire / Baryton Solo, Cheur et Orchestre