Par SWEELINCK JAN PIETERSZOON. Jan Sweelinck (1562-1621) was among the most famous organists of seventeenth century Europe and an influential composer in the Dutch and North German tradition. Bridging both Renaissance and Baroque styles, the Dutch composer is best remembered for the inventive, sparkling music he wrote for organ and other keyboard instruments. This remarkable treasury includes near…

Par IRELAND JOHN. John Ireland's Cavatina for violin and piano, which was probably composed in 1904, shows the composer's mastery of the popular salon style of the time. Unavailable for many years, it is now reissued in a new edition that includes a scholarly note by Geoffrey Bush, Music Advisor to the John Ireland Trust./ Répertoire / Violon et Piano

Par KOONCE FRANK. A substantial amount of early music for the guitar remains unknown to modern performers and audiences. In recent years, however, musicologists, scholars and performers on period instruments have provided a wealth of accessible new source materials which players can now begin to interpret in convincing and effective ways. Nevertheless, many still feel intimidated by the prospect o…

C'est super facile ! Cette collection propose des arrangements faciles pour le piano, avec une melodie simple pour la main droite, la notation americaine en lettre a l'interieur de chaque note, des diagrammes d'accords de base pour la main gauche, et sans aucune tourne de page. Les arrangements comprennent egalement les paroles. Ce recueil comprend 60 tubes qui ne necessitent que quatre accords : …

Par CURNOW JAMES. FLASHPOINT makes your young musicians sound beyond their years. The rhythmic ostinato at first gives listeners the impression of a complex meter, while what the young musicians are reading is actually easy to understand. The relentless energy of FLASHPOINT once again proves that James Curnow composes exciting concert fare for EVERY ability level. The eight measures leading up to …

Par BARTOK BELA. Bartók?s Second String Quartet was composed ? with several long interruptions ? between 1915 and 1918, after he had spent several years almost solely devoted to collecting folk music. The melody and rhythms of the riotous middle movement ?Allegro, molto capriccioso? provide impressive testimony of how his research trips had taken him as far as North Africa. The first edition of th…

Par MUNDE ALAN. Alan Munde is one of bluegrass music\'s most renowned banjo performers and educators. In addition to his awarding winning achievements as a professional recording and touring bluegrass musician, Mr. Munde spent twenty-one years as a member of the bluegrass faculty in the Commercial Music Program at South Plains College, Levelland, Texas. He draws on all his performing and teaching …

for Bb Euphonium Solo & Piano. Par SAMITZ NICO. This set also includes a Bb Euphonium TC solo part. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the „BlechReiz BrassQuintett“ ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz an…

Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use …

Par STEENHUYSE-VANDEVELDE CHRISTA. Christa Steenhuyse-Vandevelde has been teaching for over 30 years with unbridled enthusiasm and unparalleled creativity. Throughout her career she inspired more than a thousand piano students, which she brought into contact with masters from the past and the present. Christa?s own compositions have a high romantic style with a flowing melody and a beautiful harmo…