Comme le troisième après la deuxième La Seconde Guerre mondiale chaîne résultante est également Trio Laks 'pour hautbois, clarinette et basson de 1965 à la vie du compositeur, non publié. Le virtuose, pièce ludique est à son tour dans la tradition de néoclassicisme français, avec son accent sur ??la clarté formelle, la transparence de la texture et Melodizität élégante. La précision razor-sharp av…

Par MAIR MARILYNN / SA PAULO. Choro brésilien: Une méthode pour mandoline se concentre sur l\'enseignement \'bandolim\' technique pour jouer Choro. La combinaison du livre de procédé et CD offre une grande opportunité d\'ajouter la pratique d\'exécution sur les notes en noir et blanc sur la page. Le livre, présenté en anglais et en portugais, est écrit pour deux groupes différents - les Brésiliens…

Par KLAUS USMANN. Dans ce deuxième 5 x 5 Rock ' play-le long du livre, l'accent est mis sur la technique de jouer de la batterie de basse deux (contrebasse). Ce style de tambour très spécial a fasciné de nombreux joueurs de tambour depuis sa création. Des musiciens de jazz comme Louis Bellson ou Buddy Rich devinrent maîtres de l'art de jouer de la batterie de basse deux. Leurs compétences inspiré …

The Bartók Performing Editions-Instruktive Ausgaben von Béla Bártok. Par BACH JOHANN-SEBASTIAN. Bartók taught piano at the Music Academy in Budapest from 1907 to 1934. In his first years as a professor the Budapest music publishers Rozsnyai and Rózsavölgyi commissioned him to prepare so-called instructive editions (including suggestions, commentaries and fingerings for the performer) of several cl…

Italian composer Nicola Vaccai (1790-1848) was known for his operas in his day, but today is remembered as a master voice teacher. Vaccai composed these exercises for training the classical voice, extending range and increasing agility, breath support, and all other technical issues of singing. The art of singing reached a zenith in Italy in 1800-1840. Vaccai's 'Practical Method? has been used by …

Of Noblest Cities is intended for a choir of between 12 and about 40 voices, although it may also be given by just six singers, one to a part (SSATBB). The piece can be performed unaccompanied, if no suitable organ is available, simply by leaving approximately two crotchet beats of silence between the end of the last note of one verse and the beginning of the next. Underlying the melody is a simpl…

The Four Hymns are in similar vein to the Five Mystical Songs (1911) although on a smaller and more intimate scale. Together with the Fantasia on a Theme of Thomas Tallis these form a succession of works displaying a strong mystical, meditative content.The first of the hymns, 'Lord! come away!', employs vigorous Purcellian recitative in a setting of a Palm Sunday text from Bishop Jeremy Taylor's G…

Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans music text faithful to the sources and reflecting the current status of Bach research developed for musical practice through the cooperation of scholars and performers contains all of Bach's keyboard works that require an independent pedal manual contains all authentic e…

Tonalité : F-Dur - Hob. Xxii:1. Par HAYDN FRANZ JOSEF. Despite all of its folk-line simplicity of melody, Haydn's first mass contains a pious note that, just like its youthful verve, still was to hold fascination for him in his late years when, in 1805, he re-orchestrated his first work. The first version of the mass is considered to have been composed in 1749 or 1750. It was around the same time …