Avec un son à la fois moderne et médiéval, ce remarquable arrangement réalisé à partir du texte latin Ubi Caritas s'ouvre à l´unisson en évoquant un thème en plain-chant. Peu à peu, ce dernier s'enrichit d'harmonies plus amples et d'un langage musical résolument contemporain. Pas forcément difficile quant à la tessiture vocale exploitée, l'arrangement de Ola Gjeilo est accessible à bon nombre de c…

In this arrangement of Faure's Requiem for soloists, female choir and organ, the tenor and bass parts are distributed among the altos which has necessitated some judicious adaptations in the part-writing. The second soprano replicates the original alto part largely unchanged, while the original baritone solo now resounds in the alto. The organ arrangement takes all three versions of the Requiem in…

It is particularly in his choral music that Peteris Vasks reveals his strong attachment to his Latvian home country. Nature, customs and traditions and the idea of freedom are the central themes of the texts he sets to music, while carefully using modern techniques of choral singing as well. Alternating with traditional, even archaic singing, the music creates a multi-faceted, immediately effectiv…

/ Choeur De Femmes (SSAA) A Cappella

Par VERDI GIUSEPPE. SSAA a cappella - Durée: 6'/ Répertoire / Travaux Pour Choeurs

It is created out of nothing and develops into sound. This choral improvisation on the kyrie from 'Messe à trois voix' by André Caplet gives the singers space to shape the piece themselves while nevertheless being self-contained. A short concert piece for experienced musicians. / Choeur SSAA A Cappella

Three songs on the power of listening and connection. Par ESMAIL REENA. for SSAA and piano This set of three captivating pieces is designed to introduce choirs to the Hindi language. Each piece teaches linguistic concepts of Hindi and musical concepts of Hindustani music, while reminding us to approach new ideas from a place of curiosity rather than of judgement. / Date parution : 2025-05-20/ Rép…

What an extraordinary text for women's chorus that speaks of the 'comfort of feeling safe with a person.' Excellent vocal writing that is beautifully supported and enhanced by the piano and flute. Commissioned by the BYU Women's Chorus. / Choeur SSAA, Flûte Et Piano

Par MCCARTHY JAMES. The words of Peaceful was the Night are taken from John Milton?s ode On the Morning of Christ?s Nativity, written in 1629. Milton describes the universe halting in utter stillness at the moment of Christ?s appearing on the earth. (As the poet wrote: ?His reign of peace upon the Earth began. ?) In James McCarthy?s carol, the voices play a dual role, as narrator, and by evoking t…