Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…

Arch Gwyn (Arranger). Par ARCH GWYN. Get on Board! offers a wonderful selection of gospel favourites on the theme 'travelling to freedom', in dynamic yet straightforward arrangements. The Faber Young Voices series is devised specifically to address the needs of young or newly-formed choirs looking for easy, yet rewarding new repertoire. For SA(B) (optional Baritone/Alto line) Choir and Piano, as a…

Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…

Welcomed repetition and smart voice leading pave the way to success for developing 3-part choirs. The guys sing in their easiest range- the sopranos, a mostly step-wise melody- and the altos, intuitive harmonies. Add the optional sleighbells and it's ready to go for Christmas. / 3 Parties Mixtes

Par L'ESTRANGE ALEXANDER (Arr.). Oh Shenandoah dates back to the early nineteenth century, with possible origins in Virginia. Sometimes referred to as a ‘shanty’ song because of its refrain (‘away, you rolling river,’ etc.), its lyrics exist in many versions and can be seen as a paean either to the river itself, or perhaps to the (mythical?) daughter of an Indian chief of that name. Regardless of …

Par L'ESTRANGE ALEXANDER (Arr.). Jingle Bells dates from the mid-nineteenth century and is thought to be one of the first secular Christmas songs to ?top the charts?. It is in fact not about Christmas at all but instead about the ?Cutter? drag races in Boston, where young men would race sleighs and attempt to impress the girls with their speed. This piece is part of the Faber Choral Singles serie…

Par KANDER JOHN / BEALE CHARLES (Arr.). John Kander and Fred Ebb created a number of 20th-century show classics, including Cabaret and Kiss of the spider woman, but Chicago! is perhaps their greatest and best-loved show of them all. Mama Moreton sings When you’re good to Mama to indicate to the prison inmates how the world really works. She is deeply cynical, knows the ways of the world and contro…