Solomotette Zum Dreifaltigkeitsfest Oder Zu Weihnachten. Par MOZART WOLFGANG AMADEUS. A good six years following its first performance in Milan [1773] a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This “Salzburg version, ” which was discovered in 1978, differs from the “Milan version” primarily thro…

Par BEETHOVEN LUDWIG VAN. This new scholarly-critical edition of String Quartet Op. 127, the first of Beethoven’s late quartets, follows upon Urtext publications of Opp. 18, 59, 74 and 95. Once more the editor is the renowned Beethoven authority Jonathan Del Mar. All surviving sources have been consulted including sketches to clarify the conflicting readings in the autograph. Not only has Del Mar …

Satie's progressive incidental music of 1891-92, though explicitly aimed against French 'Wagnérisme?, is not intended as a parody. Commissioned by the Rosicrucian master and ardent Wagnerian Joséphin Péladan, this plain, purely instrumental music proceeds independently from the dramatic action. For the first time, this pioneering Urtext edition on Satie's incidental music evaluates a previously ne…

Rachmaninoff composed his collection of 13 songs op. 34 in 1912, but it was only three years later that he added a little closing piece without any text: the Vocalise, which soon outshone the other songs in terms of popularity and renown. Since its first performance in 1916 this expressive, melancholy piece has circulated in countless arrangements by others. Rachmaninoff himself made an arrangemen…

First scholarly-critical editionThe single-movement String Quartet #2 by Josef Suk (1874-1935) was written at the height of his compositional powers. Completed in Krecovice in May 1911, this demanding work, with its complex harmonies and motivic structure, seemed avant-garde for its day: the Berlin premiere of November 1912 was accompanied by protests from the audience.Now Zdenek Nouza has edited …

Following the revision of our facsimile of the Piano Sonata in b minor (HN 3227) in 2015, we are now proud to present the corresponding new Henle Urtext edition. With the help of the splendid facsimile reproduction we were able to analyse several passages in the autograph more reliably - in addition the editor Ernst Herttrich not only consulted the first edition but also a copy of a student of Lis…

Par BACH JOHANN SEBASTIAN. autograph in facsimile; excerpt from the first page of the first violin, 1721/ Répertoire / Carte Postale

Par BACH JOHANN SEBASTIAN. autograph in facsimile; excerpt from the corno da caccia part, Leipzig 1733/ Répertoire / Carte Postale

Par MARTINU BOHUSLAV. Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his experimentation with sound and form. It is from this period that four short serenades also originate (1932), each with a different instrumentation. The serenades were issued by the Pr…

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

Composed by Johann Sebastian Bach (1685-1750), edited by Ivan Galamian. Instrumental solo book for violin solo. With introductory text, bowings and fingerings. 108 pages. Published by International Music Co.

(Version for Piano Four-Hands). Composed by Edvard Grieg (1843-1907). Edited by Einar Steen-Nøkleberg and Ernst-Gunter Heinemann. Arranged by Edvard Grieg. For Piano Four Hands, Piano Duet (PIANO FOR 2 PLAYERS). Henle Music Folios. Softcover. G. Henle #HN1243. Published by G. He…

Composed by Felix Mendelssohn Bartholdy (1809-1847), edited by Rudolf Elvers. Collection for Piano (Harpsichord), 2-hands. With introductory text, performance notes and fingerings. Urtext edition-paper bound. 181 pages. Published by G. Henle.

Revised Edition. Composed by Franz Liszt (1811-1886). Edited by Ernst Herttrich and Marc-Andre Hamelin. Henle Music Folios. Softcover. 52 pages. G. Henle #HN559. Published by G. Henle (HL.51480559).

By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For cello and orchestra. This edition: Urtext. Solo part and piano reduction. Opus 104. Published by Baerenreiter Verlag

Performed by John Denver. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams and introductory text. Folk and soft rock. 256 pages. 9x12 inches. Published by Cherry Lane Music.…

Composed by Frank Martin (1890-1974). Edited by Antje Wissemann. For Double Choir a cappella. This edition: Urtext edition. Stapled. Choral score. Language: Latin, Text Language: German/English. 48 pages. Published by Baerenreiter Verlag

Versions 1913 and 1931. Composed by Sergei Rachmaninoff (1873-1943). Edited by Dominik Rahmer. Arranged by Marc-Andre Hamelin. Sheet Music. Paperbound. Henle Music Folios. Classical. Softcover. 80 pages. G. Henle #HN1256. Published by G. Henle (HL.51481256).

(Clarinet with Piano Reduction). Composed by Louis Spohr (1784-1859). Edited by Christoph Sobanski and Ulrich Scheideler. For Clarinet, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN995. Published by G. Henle

(Version for Viola Revised Edition). By Johannes Brahms (1833-1897). Edited by Egon Voss and Johannes Behr. For Viola (VIOLA WITH PIANO ACCOMPANIMENT). Henle Music Folios. Softcover. G. Henle #HN988. Published by G. Henle

Composed by Franz Schubert (1797-1828). Henle Study Scores. Classical. Softcover. 56 pages. G. Henle #HN9849. Published by G. Henle (HL.51489849).

(Set of Parts). By Franz Schubert (1797-1828). Edited by Egon Voss. Henle Music Folios. Book only. G. Henle Verlag #HN850. Published by G. Henle Verlag

with a Critical Commentary. By Frederic Chopin. Edited by Ewald Zimmermann. Piano (Harpsichord), 2-hands. Pages: 144. Urtext edition-paper bound. Published by G. Henle.

For Oboe and Piano Reduction. By Bohuslav Martinu. Arranged by Yann Ollivo. This edition: DF1584300. Editions Durand. 60 pages. Published by Editions Max Eschig.