Par MASSAINO TIBURTIO. Canzon á 16 by Tiburtio Massaino, arranged for Bassoon Choir by Matt Johnston. Instrumentation: 16 Bassoons. / Date parution : 2022-11-29/ Répertoire / 16 Bassons

for 6 Bassoons and Contrabassoon. Par MOZART WOLFGANG AMADEUS / JOHNSTON MATT (Arr.). The Marriage of Figaro Overture by Wolfgang Amadeus Mozart, arranged for Bassoon Choir by Matt Johnston. Instrumentation: 6 Bassoons, Contrabassoon (or String Bass), Timpani (optional). / Date parution : 2022-11-29/ Répertoire / Ensemble de Bassons

Par DE PADILLA JUAN GUTIERREZ. Juan Gutiérrez de Padilla (c. 1590-1664) was a Spanish-born Mexican composer of the Renaissance period. Although born in Málaga, Spain, he moved to Puebla, Mexico in 1620, and was later appointed maestro de capilla of the Puebla Cathedral in 1628. His most well-known work, this 'Salve Regina' for double choir (SSAATTBB), has been arranged here for bassoon choir by Ma…

arranged for double bass choir. Par BRYARS GAVIN. Written by double bass player Gavin Bryars, this arrangement is one of a series of works for double bass ensemble. Originally scored for viola, cello, double bass and electric guitar, Epilogue from Wonderlawn offers the perfect opportunity to experience the Bryars sound world./ Répertoire / Ensemble de Conterbasse [Minimum 8]

Composed in 1741 Handel's Messiah has remained a popular choice for choir performances for nearly 275 years. With 3 Steps To Sing anyone can now learn and rehearse the piece at home, regardless of their ability to read music.This easy-to-follow learning method for the Bass part includes the following steps:Step 1 - Visual Learning DVDA voice part recorded by a professional singer (Soprano, Alto, T…

Par DE PADILLA JUAN GUTIERREZ. Juan Gutiérrez de Padilla (c. 1590-1664) - Stabat Mater for Bassoon Quartet, arranged by Matt Johnston. Juan Gutiérrez de Padilla (c. 1590-1664) was a Spanish-born Mexican composer of the Renaissance period. Although born in Málaga, Spain, he moved to Puebla, Mexico in 1620, and was later appointed maestro de capilla of the Puebla Cathedral in 1628. His most well-kno…

Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all th…

Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plu…

By Mack Wilberg (1955-). For SATB choir and piano four-hands or orchestra (3 flute piccolo, 2 oboe, 2 clarinet, 2 bassoon, 4 horn, 3 trumpet, 3 trombone, tuba, timpani, suspended cymbal, percussion (glock, chimes, xylophone, sleigh bells), harp, piano, st

By William Walton (1902-1983). For SATB choir and orchestra (3 flutes ( piccolo), 3 oboes, 3oboes, 2 bassoons, contrabassoon, 4 horns, 4 trumpets (IV opt), 3 trombones (III opt.), tuba, timpani, 3 percussion, organ, harp, strings; optional fanfare band: 4 t

By Antonin Dvorak (1841-1904). Edited by Klaus Doge. For Orchestra version: Soli SATB, SATB Choir, 2 Oboes, 2 Bassoons, 3 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ; Organ version: Soli SATB, SATB Choir, Organ. Ger

By Giovanni Battista Pergolesi (1710-1736). Edited by Malcolm Bruno. Arranged by Malcolm Bruno. For solo soprano/solo mezzo-soprano/solo alto/female choir: SmezA/2 violins/viola/basso continuo (violoncello/contrabass/organ). Stapled. Female Choir. Piano r

By Georg Riedel. For SSA/unison choir, piano, trombone, flute, (guitar, double bass, etc ad lib). Children. Language: Swedish. 20 pages. Published by Gehrmans Musikforlag

(from Peer Gynt Suite No.1, Op.46). By Edvard Grieg (1843-1907). Arranged by Alfie Pugh. For clarinet choir: Eb clarinet, 3 Bb clarinets, 2 bass clarinets. Clarinet Collection. Grade 3 to 8. Score and parts. Duration 2'14. Published by Wonderful Winds (WN

By Franz Xaver Gruber. Arranged by Anders Ohrwall. For SATB choir, baritone voice solo, flute, cello, double bass, organ. Language: Swedish. 8 pages. Published by Gehrmans Musikforlag

By Johann Ludwig Bach (1677-1731). Edited by Hermann Max. For Soli SATB, SATB Choir, 2 Violins, Viola, Basso continuo. This edition: Paperbound. German title: Ja, mir hast du Arbeit gemacht. Lent and Passiontide. Full score. Language: German/English. 40 p full score Lent and Pass…

(Cantata for Christmastide). By Horatio Parker (1863-1919). Choir and piano. For Soprano voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Sacred Cantata, Original Works. Romantic Period; Christmas/Hannukah, American.

By George Frideric Handel (1685-1759). Edited by Benedikt Poensgen. For Soli ATB, SSATB choir, 2 oboes, bassoon, 3 trumpets, timpani, 2 violin, viola, basso continuo. Stuttgart Urtext Edition. German title: Dettinger Te Deum. Praise and thanks. Study scor

By Graham Kendrick. Arranged by Kevin McChesney. For 3-5 octave handbell choir with optional 1-2 belltrees (or keyboard and bass, praise band, voices and/or congregation). Level 3. Handbell score. 16 pages. Published by Chorister's Guild

(Chorale cantata). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Gunter Graulich. For Baritone Voice Solo, SATB Choir, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass. This edition: Paperbound. St reduction for organ Cant…

(Missa in C). By Ignaz Holzbauer (1711-1783). Edited by Jochen Reutter. For Soli SATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, 2 Violas, Basso continuo. This edition: Monument edition. C-Dur (C majo Part: cello/double bass …

(19th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Reinhold Kubik. For SATB vocal soli, SATB choir, 2 oboes, tromba da tirarsi, 2 violins, viola, basso continuo. G-Moll (G minor). German title: Wo soll Part Cantatas

By Antonin Dvorak (1841-1904). For soprano voice solo/alto voice solo/tenor voice solo/bass voice solo/SATB choir/orchestra. The Complete Works of Antonin Dvorak. Czech title: Requiem op. 89. Classical, Sacred. Piano reduction. Publication language: Czech

By Johann Pachelbel (1653-1706). Edited by Dietrich Kruger. For SSATB Choir, 2 Oboes, 3 Violins, 2 Violas, Violone (Bassoon), Basso continuo. German title: Jauchzet dem Herrn, alle Welt. Cantatas, Psalms, German, Whitsun Praise and thanks. Choral score. L choral score Cantatas, P…

(19th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Reinhold Kubik. For SATB vocal soli, SATB choir, 2 oboes, tromba da tirarsi, 2 violins, viola, basso continuo. G-Moll (G minor). German title: Wo soll Parts: violin solo + vio…

(19th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Reinhold Kubik. For SATB vocal soli, SATB choir, 2 oboes, tromba da tirarsi, 2 violins, viola, basso continuo. G-Moll (G minor). German title: Wo soll Part: viola solo + viola…

(19th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Reinhold Kubik. For SATB vocal soli, SATB choir, 2 oboes, tromba da tirarsi, 2 violins, viola, basso continuo. G-Moll (G minor). German title: Wo soll Part: cello/double bass …