Farewell to St. Petersburg. Par BRYARS GAVIN. This concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bas…

Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey, written by Don Black and set to music by John Barry. This SSA arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment. / Choeur De Femmes (SS…

for bass and piano. Par GERVASONI STEFANO. Langue: Deutsch / Niveau : Intermédiaire / Répertoire / Basse et Piano

Par NORTON CHRISTOPHER. Songs from the Micromusicals Grade 4 Low Voice - the songs in this volume are from the Micromusicals series, which includes nearly 30 musicals. Apart from the fact that they are wonderfully attractive songs, the appeal of these Songs from the Micromusicals comes from their range of subject matter. Good music that has a link to the school curriculum - welcome to the world o…

In spring 1827 Schubert performed the first part of his best-known song cycle ' Winterreise ' for his friends for the first time. At this time he assumed that he had set all the texts belonging to the cycle to music. Only later did he come across the complete cycle of 24 songs in Müller's volume ' Gedichte aus den hinterlassenen Papieren eines reisenden Waldhornisten ' of 1824. As a result, he set…

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless bril…

In 80 bars around the world â?? without any men'! Does that work' Yes, it does â?? and it sounds superb. This Women´s Choirbook provides a rich fund of well-known tunes from different countries and in different styles, ranging from swing, soul and groovy tunes to melodious ballads. The new arrangements are modern and charming and can be used in various ways and contexts: Apart from the 3-4 female…

/ Voix Basses

for countertenor (or alto, or bass baritone) and piano. Par GERVASONI STEFANO. German / Niveau : Intermédiaire / Répertoire / Tenor et Piano

By Ralph Vaughan Williams (1872-1958). Arranged by David Matthews. For soprano voice solo, SSA chorus, and full orchestra (3 flutes (III doubling piccolo), 3 oboes (III doubling English horn), 3 clarinets (III doubling bass clarinet), 3 bassoons (III doubling contra), 4 horns, 3 …

By Wolfgang Amadeus Mozart (1756-1791). Edited by Wolfgang Amadeus Mozart. Arranged by Georg Trexler, Karel Torvik. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir / Piano (Chorus and piano). New Issues. Classical; Sacred/Hymns. Vocal Score. Text Lan…

By Matthew Martin. For SATB choir and organ/orchestra (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion (suspended cymbal, triangle, snare drum, bass drum), harp, organ, strings). Mixed Voices. New Horizons. Christmas, Choral…

By Benjamin Britten (1913-1976). For Choral (TBB). BH Secular Choral. 22 pages. Boosey and Hawkes #M051481705. Published by Boosey and Hawkes

By Gioachino Rossini (1792-1868). Edited by Patricia B. Brauner; Philip Gossett. For voice soli/mixed choir/piano/Harmm (soprano voice solo/alto voice solo/tenor voice solo/bass voice solo/SATB choir/2 pianos/Harmm). This edition: Urtext edition. Level 3. Score (paperbound). Lang…

(Urtext der NBArev). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. Vocal soli, mixed choir, orchestra. For 2 soprano voice solos/alto voice solo/tenor voice solo/bass voice solo/SSAATTBB choir/2 flutes/oboe1 (oboe d'amore1, english horn1)/oboe2 (oboe d'amore2, english…

(Oratorio in three parts). By George Frideric Handel (1685-1759). Edited by Merlin Channon. Arranged by Andreas Kohs. For soprano voice solo/tenor voice solo/bass voice solo/SSAATTBB choir/2 oboes/2 bassoons/2 horns/3 trumpets/timpani/3 violins/viola/basses/organ. This edition: U…

By Paul Carey. For SSA choir and piano/chamber orchestra (2 flutes, 2 oboes, bassoon, 2 horns, trumpet (in C or Bb), percussion, harp, strings). Upper Voices. Christmas, Choral Leaflet. Vocal score. 16 pages. Duration 6'. Published by Oxford University Press

For low voice solo. Educational Vocal. Vocal score. Published by Heritage Music Press

By Antonio Vivaldi (1678-1741). Edited by Antonio Vivaldi. Arranged by Clayton Westermann. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), Choir / Piano (Chorus and piano). New Issues. Baroque: Rococco/Gallant; Sacred/Hymns. Vocal Score. Text Language: Latin, E…

(72 Solo Cantatas for Voice, Instrument and Basso continuo). By Georg Philipp Telemann (1681-1767). Edited by Gustav Fock; Ute Poetzch. For Melodic Instrument, Basso Continuo. Lent and Easter Cantatas. Set of Parts; Urtext Edition. Published by Baerenreiter Verlag

By Robert A. Hobby (1962-). For Two-Part Mixed Voices or SATB, Soprano Solo, opt. Congregation, opt. Children's Choir or Treble Solo with Organ, Piano, Brass Quintet, Percussion, Handbells or Full Orchestra. Choral. Christmas, Advent. Medium to Moderately Difficult. Published by …

Volume 88 - Millennium Blues by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jamey Aebersold Play-A-Long series. Intermediate, advanced. Book and CD. 72 pages. Published by Jamey Aebersold Jazz

by Bret Willmott. For all guitars. Complete. All styles. Level: Intermediate-Advanced. Book. Theory and harmony. Size 8.75x11.75. 248 pages. Published by Mel Bay Pub., Inc.

Compiled by Peter Wernick. For voice and guitar (or banjo). Format: fake book (simplified 3 string guitar tablature). With vocal melody (simplified 3 string guitar tablature), lyrics, chord names, performance notes, introductory text and black