Héros de légende s'il en fut, Django Reinhardt le devint dès sa prime jeunesse. Tout d'abord parmi les siens, subjugués par l'éblouissante virtuosité de ce petit prodige du banjo, ensuite auprès des musiciens musettes, d'où sa réputation d'extraordinaire instrumentiste qui gagna comme une traînée de poudre les milieux du jazz, univers plus propre à l'épanouissement de ses ambitions musicales qu'il…

Par DIGBY ANDREW. the same material is repeated in constantly varying configurations: no two bars have simultaneously the same number of instruments, direction of and number of discontinuities in the glissandi, number of crossings through the octave or unison between instruments. this last is the most important characteristic of the piece. many such crossing points are also punctuated by other ins…

L'un des plus célèbres chansons de la musicale Chess, écrit par Tim Rice et composé par Benny Andersson et Bjorn Ulvaeus d'ABBA. Je sais lui si bien a été célèbre enregistrée par Elaine Paige et Barbara Dickson sur RCA Records et est disponible ici pour Piano et voix avec les accords de guitare. / Piano/Vocal/Guitare (PVG) / 8 pages / Chanson En Séparée

/ Musique De Chambre

Par SPOHR LOUIS. The selection of 36 violin duos from Louis Spohr's famous Violinschule, compiled with commentary by Kolja Lessing, meets two objectives: First of all, it is an extraordinarily delightful, musically-enriched addition to the violin-duo repertoire - secondly, it incorporates the easiest, no less original duos into the lessons for beginners. / Niveau : Facile / Date parution : 2019-…

/ Musique De Chambre

Par SCHRADIECK HENRY. Henry Schradieck chose the modest designation 'studies' for his exercises. Their musical substance, however, goes far beyond that of a study. They are character pieces which get their captivating musical expression particularly from the harmonic progression and expressive melodic lines while the rhythm remains relatively consistent to maximize the effect of practising. The pi…

Par JARRELL MICHAEL. I had already discovered texts from Gongora for some time in the bilingual edition of the Dogana, beautifully translated by Philippe Jaccotet. I found those poems were really rich, impossible to reduce to a single meaning. This is what drove me to use one of this author's sonnets at the time, in its original language, and to compose Eco for voice and piano. Recently, I discov…

Par MANTOVANI BRUNO. Contrary to what one might think, it is particularly difficult to write a solo or concertante work for an instrument that a person is very familiar with. Whenever I encounter this situation, I always feel a certain reserve or prudence, or even apprehension about leaning toward facility, in terms of gestures. Lack of objectivity can result in the imagination being more instrume…