Z 328 - D major. Par PURCELL HENRY. Minimum de commande : 20 exemplaires. « Hail ! bright Cecilia, hail to thee. Great patroness of us and harmony ! » – ainsi commence le chœur final de l’Ode à sainte Cécile d’Henry Purcell datant de 1692. Cette œuvre est un hymne au pouvoir de la musique et compte parmi les plus grandes odes chorales anglaises de cette époque. Depuis une décision de la « Musical…

Kantate Zum 2. Weihnachtstag. Par TELEMANN GEORG PHILIPP. Two straightforward four-part choral movements frame three solo movements. The tonal language of this easily performable work, taken from a cantata publication of 1748, combines baroque pictorial quality and playfulness with rococo grace and sensitivity. / Date parution : 1987-11-01/ Répertoire / Solo S, Choeur SATB, 2 Violons, Alto et Bass…

Par DE HAAN JACOB. Missa Brevis is a major work for choir and brass band for performance in church or in the concert hall. For this mass, there are many performance possibilities depending on the musicians available. In addition to the standard orchestration of choir and band a brass quartet can also play the choral parts. For this it is desirable for the brass quartet to be positioned separately …

aus Sieben frühe Lieder. Par BERG ALBAN. From Sieben Frühe Lieder, the choral transcription of Im Zimmer provides a fascinating glimpse at the compositional bent of a young Alban Berg, decried by his mentor Arnold Schönberg as “too vocal.” While Schönberg may have succeeded in re-training his pupil, the Seven Early Songs still live one hundred years later to please our modern ears./ Répertoire / D…

Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the…

Par DELIBES LEO. Lorsqu’il quitte sa Sarthe natale pour s’installer à Paris en 18489, Léo Delibes (1836-1891) se forme au Conservatoire tout en étant enfant de chœur à la Madeleine. Quelques années plus tard, il est organiste à Saint-Pierre de Chaillot et à l’église Saint-Jean-Saint-François avant d’intégrer le Théâtre-Lyrique puis l’Opéra en tant que chef de chant. Delibes mène alors une carrière…

Version Hellmann/Glöckner. Par BACH JOHANN SEBASTIAN. This is a revised edition of Diethard Hellmann’s reconstruction of the St. Mark Passion of 1723 based on parodies. It contains a new foreword by Andreas Glöckner which deals with the present state of research on the Passion. The edition now includes all 16 chorales which have been handed down and which appear in facsimile in this edition. This …

Par HAYDN JOHANN MICHAEL. The Christmas responsories belong to a particular tradition of choral settings of responsoria which had developed since the middle ot the 16th century. The entirely homophonic style of composition make the words easily understandable. The forward flow of the words - Haydn did not repeat words - is intensified and accentuated by harmonic means. In contrast to hias Holy Wee…

Version Hellmann/Glöckner. Par BACH JOHANN SEBASTIAN. This is a revised edition of Diethard Hellmann’s reconstruction of the St. Mark Passion of 1723 based on parodies. It contains a new foreword by Andreas Glöckner which deals with the present state of research on the Passion. The edition now includes all 16 chorales which have been handed down and which appear in facsimile in this edition. This …

Full/Choral Score. Par MARROLLI KAREN. / Date parution : 2024-04-27/ Répertoire / Soprano et Baryton (Solistes), SATB, Flûte, Violon