The composer Rudolf Kelterborn about his work: 'I call the ten compositions for female voice and piano 'DUOS' because the voice and instrument parts are treated musically with absolute equality and indeed often go their own independent ways. In the vocal part there are several variants, and this makes them accessible for different types of voice. The 10 duos do not form a complete cycle that can b…

Easy Operatic Arias and Operetta Excerpts for Male Voice. Par . A Panorama of Arias contains a selection of arias from operas, operettas, and oratorical works of the 17th to 19th centuries in original language for those studying singing at beginner and intermediate levels. All arias have new, easy-to-play piano reductions, and some of them even include excerpts from recitatives. The sheet music co…

Vesperpsalm. Par HASSE JOHANN ADOLF. The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl’Incurabili in Venice. Since the Ospedale was an institution for the musical training of gifted girls and young women, the vocal parts are scored for female voices. As Director of Music at the Saxon-Polish Court of Dresden, Hasse was also responsible for church music, and therefore he arr…

Vesperpsalm. Par HASSE JOHANN ADOLF. The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl’Incurabili in Venice. Since the Ospedale was an institution for the musical training of gifted girls and young women, the vocal parts are scored for female voices. As Director of Music at the Saxon-Polish Court of Dresden, Hasse was also responsible for church music, and therefore he arr…

Vesperpsalm. Par HASSE JOHANN ADOLF. The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl’Incurabili in Venice. Since the Ospedale was an institution for the musical training of gifted girls and young women, the vocal parts are scored for female voices. As Director of Music at the Saxon-Polish Court of Dresden, Hasse was also responsible for church music, and therefore he arr…

Vesperpsalm. Par HASSE JOHANN ADOLF. The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl’Incurabili in Venice. Since the Ospedale was an institution for the musical training of gifted girls and young women, the vocal parts are scored for female voices. As Director of Music at the Saxon-Polish Court of Dresden, Hasse was also responsible for church music, and therefore he arr…

An exceptionally wide-ranging selection of 22 of the best audition songs for female voices. From Jazz and Soul to Pop, Rock and R'n'B, this collection has something to suit every occasion, whether you are auditioning for a band or a stage production, or impressing the judges at a competition. Each song has been carefully identified with the relevant vocal range, so you can tell at a glance which s…

(Opera in two acts). Composed by Gioachino Rossini (1792-1868). Edited by Damien Colas. For soprano voice solo/5 mezzo-soprano voice solos/4 tenor voice solos/4 baritone voice solos/mixed choir/female choir/men's choir/orchestra (flute/2 flutes/2 oboe/2 clarinet/2 bassoon/4 horn/…

Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Heribert Breuer. For female choir (SMezAA) (soprano voice solo/mezzo-soprano voice solo/2 solo alto voices/SMezAA choir/2 clarin trumpets/timpani/2 violins/basso continuo (violone/bassoon/organ)). Stapled. Frauenchor. L…

(Female (Low and High Voice)). By Jeffrey Allen. For Voice (Female voice; High voice (Medium-High); Low voice (Medium-Low)). Method/Instruction; Vocal Method. Book and 2 CDs. 392 pages. Published by Alfred Music Publishing

By Brent McWilliams. For 2-Part Choir. Bible Reference: 1 Corinthians 13. Wedding. Sacred. Easy/Medium. 8 pages. Published by GIA Publications

(Two-Part Treble Voices with Keyboard (Includes Rehearsal Prep Sheet)). By Earlene Rentz. Female chorus. For SA, Keyboard. Choral part(s). Standard notation. 6 pages. Published by Carl Fischer

(For Two-Part Treble Voices and Descant with Keyboard with Optional Rhythm Accompaniment CD). By Greg Gilpin. Female chorus. For High Voice I, High Voice II. Choral. Piano reduction/vocal score. Standard notation. 7 pages. Published by Carl Fischer

Edited by Graham Buckland. For SA choir and piano. Christmas carols for female or children's choirs with piano. Christmas. Collection. Text Language: English, German. 224 pages. Published by Baerenreiter Verlag

By Jozef Swider. For Solo Soprano voice, SSAA choir, 2 violin, viola, cello, double bass, timpani, percussion. Score available separately - see item CA.2703250. Latin Masses. Choral score. Language: Latin. Composed 1998. 12 pages. Duration 24 min. Published by Carus Verlag

(For Two-Part Treble Voices with Keyboard). By Robert Robinson. Female chorus. For SA, Keyboard. Carl Fischer Performance Series for Chorus. Choral part(s). Standard notation. 8 pages. Published by Carl Fischer

(For Two-Part Treble Voices A Cappella). By Philip Hagemann. Female chorus. For 2-part (3-part Mixed). Choral. Choral part(s). Standard notation. 4 pages. Published by Theodore Presser Company

(For Two-Part Treble Voices with Keyboard and Optional Percussion). By Deke Moffit. Arranged by Debbie Cavalier. Female chorus. For Mixed Chorus, Keyboard, Percussion, Hi-Hat, Snare Drum, Bass Drum. Carl Fischer Performance Series for Chorus. Classical. Piano reduction/vocal scor…

By Traditional. Arranged by Kenneth Amis. Brass Quintet with 3 Guitars and Voice. For 2 trumpets, french horn, trombone, tuba, 2 guitars, bass guitar, female voices (organ may be used in lieu of 3 guitars) (one or more female voices). This edition: Vocal part. As recorded by the …

(For Two-Part Treble Voices with Keyboard Accompaniment). By Anonymous. Arranged by David Eddleman. Female chorus. For SA, Keyboard. Choral. Piano reduction/vocal score. Standard notation. 8 pages. Published by Carl Fischer

By Traditional. Arranged by Kenneth Amis. Brass Quintet with 3 Guitars and Voice. For 2 trumpets, french horn, trombone, tuba, 2 guitars, bass guitar, female voices (organ may be used in lieu of 3 guitars). As recorded by the Empire Brass. Christmas. Full score and set of parts. …

(Two-Part Treble Voices with Keyboard and Optional Rhythm Accompaniment CD). By David Eddleman. Female chorus. For SA, Keyboard. Choral part(s). Standard notation. 12 pages. Published by Carl Fischer

(Two-Part Treble Voices with Keyboard and Optional Rhythm Accompaniment CD). By Carl Strommen. Female chorus. For SA, Keyboard. Choral. Choral part(s). Standard notation. 7 pages. Published by Carl Fischer

By Fanny Mendelssohn Hensel. Edited by Willi Gundlach. For Duets soprano/tenor. First Publication. Level: intermediate. Full score. Published by Furore-Verlag (German import).

By Fanny Mendelssohn Hensel. Edited by Willi Gundlach. For Duets a cappella. First Publication. Level: intermediate. Full score. Published by Furore-Verlag (German import).

Fanny Mendelssohn Hensel. Edited by Willi Gundlach. For soprano/soprano with piano. First Publication. Level: intermediate. Full score. Composed 1837/38/39. Published by Furore-Verlag (German import).

Fanny Mendelssohn Hensel. Edited by Willi Gundlach. For soprano/soprano (alto) with piano. First Publication. Level: intermediate. Full score. Composed 1829/36/40. Published by Furore-Verlag (German import).