for four male voices. Par BRYARS GAVIN. Glorious Hill may be performed by a male choir. Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate. Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique abilit…

Easy To Intermediate Arrangements. The present booklet contains a sheet music collection of pieces from the chorale literature of the Renaissance and the Romantic period and is intended for group instruction. Concerted vocal music is particularly well suited for the flute ensemble, since when playing the flute the melodic quality is - similar to singing - essentially based upon breathing. This ena…

Thomas Campion's Never weather-beaten sail is a sprightly text that powerfully evokes the sailor's plea for God's calming presence upon the sea's unrelenting rushing waves. At the opening of this work for unaccompanied mixed voices, the jaunty alto/tenor movement in thirds symbolises the curling waves of the undulating sea, the mellifluous soprano melody represents the boat's sails, and the bass s…

Edizione critica di - Critical edition by Italo Vescovo. Par PAGANINI NICCOLO. This Capriccio per violino solo M.S. 54 should be considered as part of the group of short musical dedications that Paganini was in the habit of giving away to friends, colleagues and the personalities he met during his travels. Dated 1828, dedicated to Count Maurizio Dietrichstein, is a truly unique work, not only for …

Par BARTOK BELA. Based on the Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for mixed voices. The lyrics in this Urtext edition are in the original languages and in the translations authorized by the composer. Literal English translations are provided in the appendix.The edition is complete with an informative preface (in Hungarian, English, and Ger…

Par DOWLAND JOHN. Edited by Thurston Dart and Nigel Fortune 13 of the finest settings taken from John Dowland: Ayres for Four Voices, originally transcribed as Volume 6 of Musica Britannica by Edmund Fellowes. The Elizabethan and Jacobean lutesongs were often written with alternative versions for voices and lute. This volume is an introductory selection of these ‘airs’, with accompaniment which ma…

Each volume in this bilingual edition of all the works by Johann Jacob Froberger (1617-1667) contains a Critical Commentary and a detailed Preface with sections on the edition's scope and subdivisions, editorial method, and on performance practice, as well as with discussions of contemporary instruments, ornamentation, and Froberger's life. Volume VII now brings the complete edition to a close. It…

Par TOMKINS THOMAS. Thomas Tomkins: Madrigals in 3, 4, 5 and 6 parts (1622) Contents: Songs of three parts: Our hasty life away doth post No more I will thy love Sure there is no god of Love Fond men, that do so highly prize How great delight Love, cease tormenting Songs of four parts: O let me live for true love (the first part) O let me die for true love (the second part) Oyez! Has any found a l…

Par FAURE GABRIEL. This edition of Salve Regina by Gabriel Faure is a version of this Marian hymn for a SABT accompanied by the Piano or the Organ, arranged by Henri Busser. This features lyrics in Latin, and can be sung by two or four voices also accompanied by Violin or Cello ad libitum. This lyrical piece is quite slow (tempo 66) and the Organ score does not feature any pedals: the difficulty c…

Par HENKHAUS UWE. Broish McRoish is a rhythmic piece based on traditional Gaelic sprechgesang - the so-called ‘Puirt a beul’ (mouth music). The text is meaningless, comparable to scat, and primarily serves to drive the piece forward rhythmically.The harmony slowly builds up from one to four voices and gives the singing a charming, unusual sound. / Choral Music / Répertoire / Voix d'Hommes TTBB

(From Missa Brevis 'sancti Joannis De Deo' for Four-Part Chorus of Mixed Voices with Keyboard). By Franz Joseph Haydn (1732-1809). Arranged by Hal. H. Hopson. SATB chorus. For SATB, Keyboard. Hal H. Hopson Choral Series. Choral. Piano/Vocal Score. Standard notation. 11 pages

By Stephen Hatfield. (SATB/2-PT.). Conductor's Choice. 20 pages. Published by Boosey and Hawkes.

From Veni Sancte Spiritus, K. 47, for Four-Part Chorus of Mixed Voices with Keyboard. By Wolfgang Amadeus Mozart. Edited by Patrick M. Liebergen. Arranged by Patrick M. Liebergen. Text: Patrick M. Liebergen. Choir (SATB, keyboard). For SATB Chorus, Keyboard. Patrick M. Liebergen …

By Greg Gilpin. For SAT(B) choir and piano. Mixed Voices. Sacred, Choral. Sacred Anthem

23 Arrangements for Ladies Choir or Ensemble. By Tom Fettke. Sacred. 116 pages. Published by Lillenas Publishing Company.

By Ruth Morris Gray. For 2-part voices and piano. New Horizons. Concert. Octavo. Published by Heritage Music Press. (15/2392H)

For Four-Part Mixed Voices, for SATB A Cappella. By John Stafford Smith. Arranged by Darmon Meader. Text: Francis Scott Key. Choir (SATB, keyboard). For SSAATBB Chorus, Keyboard Rehearsal. Carl Fischer Performance Series for Chorus. Choral. Piano/Vocal Score. 6 pages. Published b…

Song Collection for Young Voices. Arranged by Alan Billingsley. (P/V Score). Expressive Art (Choral). Size 9x12 inches. 56 pages. Published by Hal Leonard.

Willis. Size 6x8.75 inches. 336 pages. Published by Willis Music.

An All-School Holiday Revue for Young Voices. By John Jacobson, Mac Huff. (Teachers Edition). Expressive Art (Choral). Childrens Musical. 64 pages. Published by Hal Leonard.

By Taylor Davis. For SATB choir. Mixed Voices. Sacred. Sacred Anthem. Published by Chorister's Guild.

Moravian Duets op. 20, 32, 38 by Antonin Dvorak (1841-1904). For 2 solo voices - soprano, alto/tenor, piano. Gesamtausgabe der Werke von Antonin Dvorak IV/3. Czech title: Moravske dvojzpevy op. 20, 32, 38. Classical. Score. Publication language: Czech/German/English. Opus 20, 32,…

22 Arrangements for Male Voices -- 11 Two-Part and 11 Four-Part Arrangements. By Joseph Linn. Sacred. Published by Lillenas Publishing Company.

Composed by David W. Music. Lent, 21st Century, Commitment/Discipleship. Published by MorningStar Music Publishers (MN.50-3935).

Composed by Robert Baksa. Shakespeare Madrigals, for Four-Part Chorus of Mixed Voices. Piano reduction/vocal score. With Standard notation. 6 pages. Duration 1 minute, 20 seconds. Composers Library Editions #CLE-156. Published by Composers Library Editions (PR.392011920).

Composed by David Conte (1955-). Vocal Anthology/Vocal Solo. Secular, 21st Century. Vocal score. 35 pages. Published by E.C. Schirmer Publishing (EC.8454).

Composed by John Rutter (1945-). Mixed Voices. Vocal score. 8 pages. Duration 3'. Published by Oxford University Press (OU.9780193416581).

Composed by Lee Dengler. Creation, General Worship, Sacred. Octavo. 12 pages. Published by Hope Publishing Company (HP.C6069).

Composed by John Rutter (1945-). This edition: paperback. Upper Voices. Sacred, Choral Leaflet. Vocal score. 8 pages. Duration 3.5'. Published by Oxford University Press (OU.9780193426351).