for four male voices. Par BRYARS GAVIN. Glorious Hill may be performed by a male choir. Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate. Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique abilit…

Easy To Intermediate Arrangements. The present booklet contains a sheet music collection of pieces from the chorale literature of the Renaissance and the Romantic period and is intended for group instruction. Concerted vocal music is particularly well suited for the flute ensemble, since when playing the flute the melodic quality is - similar to singing - essentially based upon breathing. This ena…

Thomas Campion's Never weather-beaten sail is a sprightly text that powerfully evokes the sailor's plea for God's calming presence upon the sea's unrelenting rushing waves. At the opening of this work for unaccompanied mixed voices, the jaunty alto/tenor movement in thirds symbolises the curling waves of the undulating sea, the mellifluous soprano melody represents the boat's sails, and the bass s…

Edizione critica di - Critical edition by Italo Vescovo. Par PAGANINI NICCOLO. This Capriccio per violino solo M.S. 54 should be considered as part of the group of short musical dedications that Paganini was in the habit of giving away to friends, colleagues and the personalities he met during his travels. Dated 1828, dedicated to Count Maurizio Dietrichstein, is a truly unique work, not only for …

Par BARTOK BELA. Based on the Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for mixed voices. The lyrics in this Urtext edition are in the original languages and in the translations authorized by the composer. Literal English translations are provided in the appendix.The edition is complete with an informative preface (in Hungarian, English, and Ger…

Par DOWLAND JOHN. Edited by Thurston Dart and Nigel Fortune 13 of the finest settings taken from John Dowland: Ayres for Four Voices, originally transcribed as Volume 6 of Musica Britannica by Edmund Fellowes. The Elizabethan and Jacobean lutesongs were often written with alternative versions for voices and lute. This volume is an introductory selection of these ‘airs’, with accompaniment which ma…

Each volume in this bilingual edition of all the works by Johann Jacob Froberger (1617-1667) contains a Critical Commentary and a detailed Preface with sections on the edition's scope and subdivisions, editorial method, and on performance practice, as well as with discussions of contemporary instruments, ornamentation, and Froberger's life. Volume VII now brings the complete edition to a close. It…

Par TOMKINS THOMAS. Thomas Tomkins: Madrigals in 3, 4, 5 and 6 parts (1622) Contents: Songs of three parts: Our hasty life away doth post No more I will thy love Sure there is no god of Love Fond men, that do so highly prize How great delight Love, cease tormenting Songs of four parts: O let me live for true love (the first part) O let me die for true love (the second part) Oyez! Has any found a l…

Par FAURE GABRIEL. This edition of Salve Regina by Gabriel Faure is a version of this Marian hymn for a SABT accompanied by the Piano or the Organ, arranged by Henri Busser. This features lyrics in Latin, and can be sung by two or four voices also accompanied by Violin or Cello ad libitum. This lyrical piece is quite slow (tempo 66) and the Organ score does not feature any pedals: the difficulty c…

Par HENKHAUS UWE. Broish McRoish is a rhythmic piece based on traditional Gaelic sprechgesang - the so-called ‘Puirt a beul’ (mouth music). The text is meaningless, comparable to scat, and primarily serves to drive the piece forward rhythmically.The harmony slowly builds up from one to four voices and gives the singing a charming, unusual sound. / Choral Music / Répertoire / Voix d'Hommes TTBB

(For Four-Part A Cappella Chorus of Mixed Voices). By John Stainer (1840-1901). Edited by N. Clifford Page. SATB chorus. For SATB, Keyboard Rehearsal. Carl Fischer Choral Repertoire. Choral. Piano reduction/vocal score. Standard notation. 6 pages. Publish piano reduction/vocal sc…

(Four Singing Voices and Three Violas Complete Performance Score). By Heinz Holliger (1939-2002). For Voice, Viola Ensemble. Schott. Softcover. 120 pages. Schott Music #ED21070. Published by Schott Music

For flute, clarinet, bassoon. Level 4-5. Duration 7 minutes. Published by Imagine Music

(from Luca Marenzio Complete Four Voice Madrigals - GA.GM3215). By Luca Marenzio (1553-1599). Edited by John Steele. For SATB choir. Madrigal. Renaissance Voices. Octavo. Text Language: Italian. Published by Gaudia Music and Arts Publications

(from Luca Marenzio Complete Four Voice Madrigals - GA.GM3215). By Luca Marenzio (1553-1599). Edited by John Steele. For SATB choir. Madrigal. Renaissance Voices. Octavo. Text Language: Italian. Published by Gaudia Music and Arts Publications

By Dale Grotenhuis. For Choral (TTBB). National/Emerson Fred Bock. 20 pages. Hal Leonard #NMP220. Published by Hal Leonard

By Michael Burkhardt. For keyboard, optional Orff Instruments or handbells (Unison Treble Voices, 2-part Equal Voices, 2-part Mixed Voices, 2-part Women's Voices, 3-part Women's Voices, SSAA choir, 3-part Men's Voices, TTBB choir, 3-part Treble Voices, Four-Part Treble Voices, or…

By Edward C. Bairstow; Philip Marshall; Barry Rose; John Sanders. For SATB choir and organ. Mixed Voices. Church Music Society publications. Sacred, Choral Service. Vocal score. Published by Oxford University Press

By Samuel Adler. For four equal voices (Accompaniment: Keyboard). Spiritual, Concert. Main Key: E Minor. Sacred, Concert. Medium Advanced Adult. Octavo. 12 pages. Duration 1 minute 18 seconds. Published by Hinshaw Music Inc.

By Andrea Ramsey. For SATB choir, piano, cello. Concert. Octavo. 12 pages. Duration 3 minutes 50 seconds. Published by Santa Barbara Music Publishing

By Hywel Davies. For SATB choir, a cappella. Mixed Voices. Christmas, Choral Leaflet. Vocal score. 8 pages. Duration 3'. Published by Oxford University Press

(A meditation based on the traditional Seven Last Words of Christ). By Alan Bullard (1947-). For SATB choir and organ/piano, with opt. soloists, congregation, and strings. Mixed Voices. Contemporary, Choral Works. Vocal score. 40 pages. Duration 28'. Published by Oxford Universit…

(Commissioned by the American Composers Forum). By Alice Parker. For Choral (SSA). American Composers Forum Choral. 40 pages. Published by American Composers Forum

By Various. For concert band. FJH Beginning Band. Full set (score and parts). Score only also available: B1496S. Grade 1. Score and parts. Published by The FJH Music Company Inc

(Unison High Voices and Piano). By Richard Rodney Bennett. For Piano Accompaniment, Unison Choir. Music Sales America. Book only. 20 pages. Novello and Co Ltd. #NOV050358. Published by Novello and Co Ltd.

By Jeff Smallman. For SATB Choir, Harp or Piano. Secular. Piano/Vocal Score. Composed 2008. 12 pages. Duration 3:00. Published by Lighthouse Music Publications

By Donald Busarow. For organ, brass quartet (SATB choir, optional Congregation). Choral. Christ the King. Moderately Easy. Octavo. Published by MorningStar Music Publishers