for four male voices. Par BRYARS GAVIN. Glorious Hill may be performed by a male choir. Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate. Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique abilit…

Easy To Intermediate Arrangements. The present booklet contains a sheet music collection of pieces from the chorale literature of the Renaissance and the Romantic period and is intended for group instruction. Concerted vocal music is particularly well suited for the flute ensemble, since when playing the flute the melodic quality is - similar to singing - essentially based upon breathing. This ena…

Thomas Campion's Never weather-beaten sail is a sprightly text that powerfully evokes the sailor's plea for God's calming presence upon the sea's unrelenting rushing waves. At the opening of this work for unaccompanied mixed voices, the jaunty alto/tenor movement in thirds symbolises the curling waves of the undulating sea, the mellifluous soprano melody represents the boat's sails, and the bass s…

Edizione critica di - Critical edition by Italo Vescovo. Par PAGANINI NICCOLO. This Capriccio per violino solo M.S. 54 should be considered as part of the group of short musical dedications that Paganini was in the habit of giving away to friends, colleagues and the personalities he met during his travels. Dated 1828, dedicated to Count Maurizio Dietrichstein, is a truly unique work, not only for …

Par BARTOK BELA. Based on the Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for mixed voices. The lyrics in this Urtext edition are in the original languages and in the translations authorized by the composer. Literal English translations are provided in the appendix.The edition is complete with an informative preface (in Hungarian, English, and Ger…

Par DOWLAND JOHN. Edited by Thurston Dart and Nigel Fortune 13 of the finest settings taken from John Dowland: Ayres for Four Voices, originally transcribed as Volume 6 of Musica Britannica by Edmund Fellowes. The Elizabethan and Jacobean lutesongs were often written with alternative versions for voices and lute. This volume is an introductory selection of these ‘airs’, with accompaniment which ma…

Each volume in this bilingual edition of all the works by Johann Jacob Froberger (1617-1667) contains a Critical Commentary and a detailed Preface with sections on the edition's scope and subdivisions, editorial method, and on performance practice, as well as with discussions of contemporary instruments, ornamentation, and Froberger's life. Volume VII now brings the complete edition to a close. It…

Par TOMKINS THOMAS. Thomas Tomkins: Madrigals in 3, 4, 5 and 6 parts (1622) Contents: Songs of three parts: Our hasty life away doth post No more I will thy love Sure there is no god of Love Fond men, that do so highly prize How great delight Love, cease tormenting Songs of four parts: O let me live for true love (the first part) O let me die for true love (the second part) Oyez! Has any found a l…

Par FAURE GABRIEL. This edition of Salve Regina by Gabriel Faure is a version of this Marian hymn for a SABT accompanied by the Piano or the Organ, arranged by Henri Busser. This features lyrics in Latin, and can be sung by two or four voices also accompanied by Violin or Cello ad libitum. This lyrical piece is quite slow (tempo 66) and the Organ score does not feature any pedals: the difficulty c…

Par HENKHAUS UWE. Broish McRoish is a rhythmic piece based on traditional Gaelic sprechgesang - the so-called ‘Puirt a beul’ (mouth music). The text is meaningless, comparable to scat, and primarily serves to drive the piece forward rhythmically.The harmony slowly builds up from one to four voices and gives the singing a charming, unusual sound. / Choral Music / Répertoire / Voix d'Hommes TTBB

For Four-Part Mixed Voices (SATB) with Keyboard. By Mykola Leontovich. Arranged by Bob Burroughs; Lloyd Larson. Text: Peter J. Wilhousky. Choir (SATB, keyboard). For SATB Chorus, Keyboard. Choral. Piano/Vocal Score. 11 pages. Published by Carl Fischer.

((Advent or Christmas) - for Four-Part Chorus of Mixed Voices with Keyboard). By Anonymous. Arranged by Theron W. Kirk. SATB chorus. For SATB, Keyboard. Choral Music of Theron Kirk. Choral. Piano/Vocal Score. Standard notation. 8 pages

(For Four-Part Chorus of Mixed Voices with Keyboard Accompaniment). By Georg Joseph Vogler. Edited by Martin Banner. Arranged by Martin Banner. SATB chorus. For SATB, Keyboard. Martin Banner Choral Masterwork Series. Choral. Piano/Vocal Score. Standard notation. 10 pages

By Jill Jackson And Sy Miller. Arranged by Jay Althouse. For Choir. (SAB). Choral Octavo. Choral Designs. Peace/Brotherhood; Pop. Choral Octavo. 8 pages. Published by Alfred Publishing.

Arranged by Mark Hayes. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Choral Designs. Folk. Choral Octavo. 12 pages

(A Hymn Concertato for Pentecost for Four-Part Mixed Voices (SATB), Congregation and Organ with Optional Trumpet in B-Flat or C-Instrument). By Thomas Williams. Arranged by Hal. H. Hopson. SATB chorus. For SATB, Organ, Trumpet. Hal H. Hopson Choral Series. Choral. Piano/Vocal Sco…

For Four Solo Voices and Chorus. By Gioachino Rossini. (CHORAL SCORE). Boosey and Hawkes Large Choral. 62 pages. Published by Boosey & Hawkes.

(For Four-Part Chorus of Treble Voices, A Cappella or with Piano or Instrumental Ensemble). By Kirke Mechem (1925-). Female chorus. For SSAA, Piano. Choral. Piano/Vocal Score. Standard notation. Opus 46b, Number 3. 16 pages

(For Four-Part Chorus of Mixed Voices with Keyboard and Optional Handbells). By Anonymous. Arranged by Hal. H. Hopson. SATB chorus. For SATB, Keyboard, Handbells. Hal H. Hopson Choral Series. Piano/Vocal Score. Standard notation. 8 pages

By C. 1774 Katholisches Gesangbuch. Arranged by Brian Zuar. For Voices: SATB, assembly. Instruments: Brass quartet (2 trumpets in B or C, 2 trombones), timpani, 6 handbells (or orchestral chimes) (instruments required). Organ. Choral Sacred. Level: easy. 10 pages. Published by GI…

A Mini-Musical for Unison Voices. By Sally K. Albrecht, Jay Althouse. Children's Musicals and Programs. Choral. Score. 40 pages. Published by Alfred Publishing.

For Four-Part Chorus of Treble Voices, A Cappella or with Piano or Instrumental Ensemble. By Kirke Mechem. Treble choir. For SSAA Chorus, Piano. American Madrigals. Choral Part(s). Opus 46b, Number 5. 19 pages. Published by Carl Fischer.

Arranged by Mark Hayes. For Choir. (SSA). Choral Octavo. Level: Level 3 (grade L3). Choral Octavo. 12 pages. Published by Alfred Publishing.

For Four-Part Chorus of Mixed Voices A Cappella. By Hans Leo Hassler. Edited by Patrick M. Liebergen. Choir (SATB, keyboard). For SATB Chorus, Keyboard Rehearsal. Patrick M. Liebergen Masterworks Series. Choral. Choral Part(s). 7 pages. Published by Carl Fischer.

(Folk Songs and Fun Facts from Many Lands, Arranged for Beginning 2-Part Voices). Edited by Andy Beck and Brian Fisher. 2-Part Choir. This edition: Teacher's Handbook (100% Reproducible). Classroom/Pre-School; General Music and Classroom Publications; Reproducible. Multicultural;…

(For Four-Plus Woodwinds and Optional Piano). By Lowell Mason (1792-1872). Edited by Bob Burroughs. Arranged by Douglas Smith. Woodwind quartet. For Flute (Optional), Bb Clarinet I (Ob./Fl.), Bb Clarinet II (Alto Sax.), Bb Clarinet III (Tenor Sax./Horn), Bb Bass Clarinet (Bsn./Ba…

By Mack Wilberg (1955-). For SATB choir and piano 4-hands/full orchestra (piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoon, 4 horn, 3 trumpet, 3 trombone, tuba, timpani, 5 percussion (glockenspiel, finger cymbals, chimes, suspended cymbal, tambourine, Snare Drum), harp, organ, …