Features six concertos, BWV 1060 through 1065 ? three for 2 harpsichords, two for 3 harpsichords, and one for 4 harpsichords. Among the first keyboard concertos ever written, they are still immensely popular for their rare and exuberant musical qualities. Content :
Concerto for Two Harpsichords in C Minor, BWV 1060
I: Allegro
II: Adagio
III: Allegro
Concerto for Two Ha…

Pièces De Clavecin D'Orgue Et De Forte Piano - LP. 52 by C.B Ballastreis a selection of twenty-three pieces chosen by Alan Curtis that can be played by a Harpsichordist, an Organist or a Pianist with upper-intermediate to advanced skills but seem better suited for a Pianist. The twenty-three pieces are: - Fugue - La de Caze - La d'Héricourt - La Ségur - La Monmartel ou La Brunoy - La Boullongne -…

Par DUPHLY JACQUES / PETIT. Duphly 's Harpsichord Pieces is in two volumes and the compilation remains a favourite in the Harpsichord repertoire. Jacques Duphly (1715-1789) studied the Harpsichord and Organ as a boy, becoming a virtuoso of both instruments. Comprising Gavottes, Menuets, and other works, this second volume of La Pupite's collection of Duphly 's Harpsichord Pieces, , exemplifies the…

The third volume of this series of 12 Sonatas, this book contains the Sonatas K.104 to K.155. Composed by Domenico Scarlatti, this edition by the harpsichordist Kenneth Gilbert regroups the 555 sonatas arranged for Piano. Basedon the two sets of books discovered in Venice and in Parma, this edition still contains some of the annotations initially suggested by Kirkpatrick, whose book can be conside…

The seventh volume of the series of twelve, Sonatas - Volume VII, LP. 37 features the Sonatas K.306 to K.357. Composed by Domenico Scarlatti, this edition by the Harpsichordist Kenneth Gilbert regroups the 555 sonatas arranged forPiano. Based on the two sets of books discovered in Venice and in Parma, this edition still contains some of the annotations initially suggested by Kirkpatrick, whose boo…

Par COUPERIN FRANCOIS / GILBERT. The second volume of Couperin 's Pieces for Harpsichord does not contain a date of publication, however, it is thought to have been composed during 1716-1717, due to the address which the composer gave on his other Harpsichord compositions. Yet, the compilation remains a favourite. François Couperin (1668-1733) is often nicknamed 'Couperin the Great' to distinguish…

Par COUPERIN FRANCOIS / GILBERT. The first volume of Couperin 's Harpsichord Pieces does not contain a date of publication, however, it is thought to have been composed during 1716-1717, due to the address which the composer gave on his other Harpsichord compositions. Yet, the compilation remains a favourite. François Couperin (1668-1733) is often nicknamed 'Couperin the Great' to distinguish him …

Collection Le Pupitre (LP24) Harpsichord work - Volume 4, LP.24 by Francois Couperin is the fourth in a series of 4 volumes of suites for Harpsichord. Published in 1930, three years before Couperin's death, when he was very ill, this volume initially presented some small mistakes and some white pages. It features seven Ordres, from the 20th to the 27th, with a total of 43 pieces. For upper-inte…

Par BLOW JOHN. Selected from Musica Britannica Volume 73. Edited by Robert Klakowich. Amateur and professional players with an interest in Baroque repertoire will welcome this generous selection of 25 harpsichord pieces by John Blow (1649-1708). Blow stands as the dominant figure of English harpsichord composition in the late seventeenth century, the master of an individual school that merged cont…

If you've ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you!Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was 'a virtuoso instrument capable of enrichin…

By Johann Sebastian Bach. Edited by Ernst-Gunter Heinemann. Piano (Harpsichord), 2-hands. Pages: XIII and 121. Urtext edition-paper bound. Published by G. Henle.

By Frederic Chopin. Edited by Ewald Zimmermann. Piano (Harpsichord), 2-hands. Pages: 120. Urtext edition-paper bound. Published by G. Henle.

with Performance Notes in English. By Franz Schubert. Edited by Walther Gieseking. Piano (Harpsichord), 2-hands. Pages: 95. Urtext edition-paper bound. Published by G. Henle.

Suite Antique - for Flute and Piano. (Originally for Flute, Harpsichord and Strings). By John Rutter (1945-). For flute and piano accompaniment. Flute. 20th Century. Difficulty: difficult. Instrumental solo book and piano reduction. Composed 1979. 41 pages. Duration 17'. Publishe…

Composed by Frederic Chopin (1810-1849), edited by Ewald Zimmermann. Collection for Piano (Harpsichord), 2-hands. With Critical Commentary. Urtext edition-paper bound. 110 pages. Published by G. Henle.

By Johann Sebastian Bach. Edited by Otto von Irmer. Piano (Harpsichord), 2-hands. Pages: 136. Urtext edition-paper bound. Published by G. Henle.

Composed by Claude Debussy (1862-1918), edited by Ernst-Gunter Heinemann. Collection for Piano (Harpsichord), 2-hands. With introductory text, performance notes and fingerings. Urtext edition-paper bound. 32 pages. Published by G. Henle.

By Johann Sebastian Bach. Edited by R. Steglich. Piano (Harpsichord), 2-hands. Pages: 19. Urtext edition-paper bound. Published by G. Henle.

Composed by Johann Sebastian Bach (1685-1750), edited by Rudolph Steglich. Collection for Piano (Harpsichord), 2-hands. With introductory text, performance notes and fingerings. Urtext edition-paper bound. 120 pages. Published by G. Henle.

Three Notturnos. By Franz Liszt. Edited by Ernst-Gunter Heinemann. Piano (Harpsichord), 2-hands. Pages: III and 19. Urtext edition-paper bound. Published by G. Henle.

Composed by Frederic Chopin (1810-1849), edited by Ewald Zimmermann. Single piece for Piano (Harpsichord), 2-hands. With introductory text, fingerings and performance notes. Urtext edition-paper bound. 46 pages. Published by G. Henle.

Composed by Johann Sebastian Bach (1685-1750), edited by Rudolf Steglich. Collection for Piano (Harpsichord), 2-hands. With introductory text and performance notes. Urtext edition-paper bound. 62 pages. Published by G. Henle.

Composed by Claude Debussy (1862-1918), edited by Ernst-Gunter Heinemann. Collection for Piano (Harpsichord), 2-hands. With introductory text and performance notes. Urtext edition-paper bound. 35 pages. Published by G. Henle.

with Performance Notes in English. By Johann Sebastian Bach. Edited by Rudolph Steglich. Piano (Harpsichord), 2-hands. Pages: 93. Urtext edition-paper bound. Published by G. Henle.

Edited by Donald Peck. Collection and set of performance parts for flute and piano accompaniment. 153 pages. Published by Carl Fischer.

With Comments in English. By Maurice Ravel. Edited by Christa Jost. For piano solo. This edition: HN841. Piano (Harpsichord), 2-hands. Henle Music Folios. Urtext edition (Paper-bound). 24 pages. Published by Henle Urtext Edition.

Composed by Franz Joseph Haydn (1732-1809), edited by Georg Feder. Collection for Piano (Harpsichord), 2-hands. With introductory text. Urtext edition-paper bound. 202 pages. Published by G. Henle.

Figured bass by Siegfried Petrenz, composed by Johann Sebastian Bach (1685-1750), edited by Ernst-Gunter Heinemann. Collection for Piano (Harpsichord), 2-hands. With introductory text, performance notes, fingerings and realized figured bass. Urtext edition-paper bound. 65 pages. …

Composed by Franz Liszt (1811-1886), edited by Rena Charnin Mueller. Collection for Piano (Harpsichord), 2-hands. With introductory text, performance notes and fingerings. Urtext edition-paper bound. 43 pages. Published by G. Henle.