Haydns Symphony in C major Hob. I: 90, dated 1788 in the autograph, belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82-87) and the London symphonies (Hob. I: 93-104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791-92 and 1794-95. Continuing the collaboration between Barenreiter and the G. Henle publishing company regarding …

Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, though it is unclear whether this stems directly from the composer.This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn's day it was customary to play individual movements in church services, and it may be assumed that these two…

Par HAYDN JOSEPH. The culture of piano-duet arrangements begins in the early-to-mid nineteenth century, the great epoch of domestic bourgeois music-making, with its easy availability of decent instruments for every front parlour or gilded salon. All the way from the Wittgenstein Palace in Vienna with its eight grand pianos, to the uprights in the suburban best-rooms of Europe and beyond; and above…

Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, though it is unclear whether this stems directly from the composer.This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn's day it was customary to play individual movements in church services, and it may be assumed that these two…

Par HAYDN JOSEPH. The culture of piano-duet arrangements begins in the early-to-mid nineteenth century, the great epoch of domestic bourgeois music-making, with its easy availability of decent instruments for every front parlour or gilded salon. All the way from the Wittgenstein Palace in Vienna with its eight grand pianos, to the uprights in the suburban best-rooms of Europe and beyond; and above…

Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, though it is unclear whether this stems directly from the composer.This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn's day it was customary to play individual movements in church services, and it may be assumed that these two…

Lorsque Christa Landon a présenté pour la première fois son édition imprimée de sonates pour piano de Joseph Haydn, oeuvres de Sonate de Haydn étaient encore éclipsés par les oeuvres de Mozart et de Beethoven. Mais les sonates de Haydn quittés le créneau des leçons de piano de long depuis et sont sont établis dans le répertoire de concert - édition de Landon a certainement joué un rôle majeur dans…

Lorsque Christa Landon présenté la première version imprimée de son édition de sonates pour piano de Joseph Haydn, oeuvre de Sonate de Haydn est encore éclipsé par les oeuvres de Mozart et de Beethoven. Depuis lors, les sonates de Haydn ont progressé dans les salles d'enseignement pour les salles de concert et édition de Landon a joué un rôle crucial dans ce processus. L'anniversaire de Haydn en 2…

This four-movement work with a slow introduction is Haydn's last symphony for 'small' orchestra, i.e. without trumpets and timpani.However it has long passages for solo violoncello and is also scored for two bassoons.The editor of this edition recommends a performance with low horns (additionally included in the wind set) to prevent the musical character of the 'Andante? from being compromised by …

(Missa Cellensis in honorem BVM. Cacilienmesse). By Franz Joseph Haydn (1732-1809). Edited by Riedel, Leonhard. For Soprano solo voice, Alto solo voice, Tenor solo voice, Bass solo voice, SATB Chorus, 2 oboes, 2 bassoons, 2 Clarinos/Trumpets, timpani, 2 violins, viola, basso cont…

(Missa in honorem Beatissimae Virginis Mariae). By Franz Joseph Haydn (1732-1809). Edited by Grosspietsch, Christoph. For Soli SATB, SATB Choir, 2 English Horn, 2 Horns, 2 Violins, Cello/Contrabass, Organ solo, [2 Clarinos/Trumpets, Timpani]. This edition: paperbound. Hob. XXII:4…

(Hob. XXII/4, for Soli, Choir, Orchestra and konzertante Organ). By Franz Joseph Haydn (1732-1809). Mass. For soli, choir and orchestra ([0.2 English horn.0.2-2.2.0.0], Drum, Strings (or Viola)). Set of parts. 126 pages

For Voice. (High Voice). Vocal Collection. Pathways of Song Series. Play along. Book and CD. Published by Alfred Publishing.

(Hob. XXIIIb:1). By Franz Joseph Haydn (1732-1809). Various Sacred. For soprano, mixed choir, 2 violins, cello, bass and organ. Score. 24 pages

(Oratorium 1799-1801). By Franz Joseph Haydn (1732-1809). Edited by Armin Raab. For Violoncello. Single Part; Urtext Edition. Hob. XXI:3

(Hob. XXIIIc:1). By Franz Joseph Haydn (1732-1809). Various Sacred. For soli, choir, orchestra and organ ([0.2.0.(1)-0.2.3.0], Drum, Organ, Strings or Viola). Study score. 27 pages

(Oratorium 1799-1801). By Franz Joseph Haydn (1732-1809). Edited by Armin Raab. For Soprano Solo, Tenor Solo, Bass Solo, Mixed Choir-SATB, Orchestra. Score; Urtext Edition (hard bound). Hob. XXI:3

By Johannes Brahms (1833-1897). Arranged by John Whitney. Orchestra. For Full Orchestra. Full Orchestra. Belwin Concert Full Orchestra. Romantic. 4 (grade 4). Score. 20 pages

By Johannes Brahms (1833-1897). Arranged by John Whitney. Orchestra. Full Orchestra. Belwin Concert Full Orchestra. Romantic. Grade 4. Conductor Score and Parts. 200 pages

(Hob. XXIIIb:1). By Franz Joseph Haydn (1732-1809). Various Sacred. For strings. Set of parts. 28 pages

By Franz Joseph Haydn. Arranged by Crista Landon. (Study Score). Schott. Size 5.25x7.5 inches. 127 pages. Published by Eulenburg.

(Hob. XXIIIc:1, for Soli, Choir Orchestra and Organ). By Franz Joseph Haydn (1732-1809). Various Sacred. For orchestra ([0.2.0.(1)-0.2.3.0], Drum, Organ, Strings or Viola). Violin 1 part. 6 pages

By Various. Arranged by Thomas and Neu. Brass Quartet. For 2 Trumpets and 2 Trombones (or 2 Trumpets, Horn and Trombone)

(Hob. XXIIIc:2, for gem Choir, Orchestra und Organ). By Franz Joseph Haydn (1732-1809). Various Sacred. For mixed chior, orchestra, organ ([1.2.0.2-2.3.3.0], Drum, Organ and Strings). Set of parts. 77 pages

(Hob. XXIIIc:C2, for Soli, Choir, Orchestra and Organ). By Franz Joseph Haydn (1732-1809). Various Sacred. For choir. Bass choral part

(Hob. XXIIIc:2). By Franz Joseph Haydn (1732-1809). Various Sacred. For mixed chior, orchestra, organ. Vocal Score

By Franz Joseph Haydn (1732-1809). Edited by and arr. Patrick M. Liebergen. Choir Secular. SATB choir. Choral Octavo; Masterworks. Choral Designs. Classical; Masterwork. Choral Octavo. 16 pages